This 1947 print by graphic designer Alvin Lustig presents an early logo design for the Hollywood animation production studio United Productions of America (UPA), founded in 1943 and primarily active through 1960. The graphic identity’s bold black circle with its vertical brown band embraces a simple and modern approach to portraying a classic film reel,...
The Talking Heads are depicted alongside mountains, animals, and bell towers on the cover of their 1985 release Little Creatures. Lead singer David Byrne is Atlas, holding the globe, while the other band members are behind him. Graphic designer Tibor Kalman used a painting by Georgian folk artist Howard Finster as the basis of the...
Posters produced in the 1970s for The Fillmore, the legendary San Francisco music venue made famous by industry pioneer Bill Graham, were renowned for their psychedelic styling. Between 1967 and 1971, Tea Lautrec Litho, a specialist printing house operated by Levon Mosgofian, produced over 200 posters advertising Graham’s constantly shifting roster of weekly performances. The...
Australian graphic designer Mark Gowing designed this poster to advertise the film Tyson, a documentary about the controversial and legendary boxer Mike Tyson. The critically-acclaimed film was directed by James Toback, and closely follows Tyson’s career and personal life through lengthy interviews and archival footage. For his poster design, Gowing adapted elements from the graphic...
A major proponent of “New Typography” in the United States, Dan Friedman received his formal education in Basel, Switzerland under Armin Hofmann, an influential educator and designer whose students disseminated the Swiss Style of graphic design in the late 1960s. Though Friedman’s portfolio had earned him teaching positions at Yale University and SUNY Purchase upon...
This poster by graphic designer Rick Valicenti is loaded with iconic commercial imagery. In 1994, Valicenti received the commission to design a poster introducing the Northstar and Broughton Printing Company’s new eight-color press. His resulting design is at once an advertisement for the new press as well as a provocation that questions the role of...
This poster designed by Seymour Chwast for Herman Miller Furniture Company is all about the details. Chwast skillfully packed a bustling city scene overflowing with conversation into the poster’s vertical format, requiring the viewer to look closely and engage with the design’s dialogue as though reading a comic or storybook animated by the designer’s careful...
Opened in the early 1920s, when major museum exhibitions on contemporary American design were highlighting period revival styles, Frankl Galleries aimed to give direction to contemporary design in America, “particularly as it relates to industry.”[1][2] Showcasing an innovative selection of furniture, decorative arts and interior design, Frankl Galleries inaugurated a new wave of Modernism in America, one which...
This bold poster was printed by the Chicago Women’s Graphics Collective to celebrate International Women’s Day on March 8, 1975. The elegant design uses direct, straightforward symbols to clearly communicate a message of unity, a popular design approach amongst political and activist posters from the 1960s and 1970s. In this example, the simple repeat of...
Contemporary critics generally considered Gustav Jensen’s stylish illustrations and overall design for “The Rise of Rome” to be the highlight of the 1932 publication. The book, a simplified history of Rome’s transition from Republic to the Imperial rule of the Caesars, was written for a high-school audience by Gordon Congdon King. Reviews frequently complimented Jensen’s contributions, noting the pleasing “aesthetic experimentation” in format,...
In 2002, Chinese graphic designer Jianping He founded Hesign, a Berlin-based design studio. He studied both in China and in Germany, and his designs reflect the experiences of his training in both countries. In restrained color palettes, he executes bold poster designs with exacting precision, often incorporating both Chinese characters and Roman letters. To promote an exhibition...
The architect and designer Florence Knoll described the work of the seminal, Swiss graphic designer Herbert Matter, “Everything was clear cut with imagination and even in some cases artistic whimsy…”[1] Their introduction sparked a creative partnership at Knoll in 1946 and Matter lent his diverse and exceptional talents to numerous artistic projects, including the company’s...
You don’t have to be a mathematician to appreciate this visual recipe designed by Elaine Lustig Cohen (American, 1927–2016). An orange pomander studded with cloves, a French red wine from the Rhone valley, and Courvoisier cognac add up to produce the mulled wine served by Elaine and Arthur Cohen at their New Year’s Day parties....
The characteristic wit and whimsy of graphic designer Paul Rand dominates a long-running series of ads designed for El Producto in the 1950s. Already wildly successful by the 1940s, Rand was hired in 1952 to revamp the American-made cigar company’s advertising efforts after production shifted from hand-rolled to machine-rolled cigars. To enliven these factory-made products,...
In 1977 Miami’s South Beach lay in ruins: unkempt and forgotten by time. In less than 50 years, the district had gone from a lively and glamorous area to one that was run down and boarded up. With preservation in mind, a Miami Beach resident and mechanic by the name of Woody Vondracek set out...
