Author: Kimberly Randall

SORT BY:
Vertically rectangular batik hanging of a landscape with a tent and a column in the middle ground, surrounded by cedar trees. Low plants and a spider web fill the foreground. The night sky has stars and billowing clouds. A floral vine border on all sides with rabbits in bottom section. Gray, green, apricot, yellow, and white.
Camp in Connecticut
Designers can find inspiration from varying forms of creative expression. Looking at the batik murals of the American artist and designer Lydia Bush-Brown (1887–1984), her sources seemed clear. Sketches capturing scenes from her travel in the 1920s to Syria and Italy can be found repeatedly in her work. Murals featuring Syrian villages on terraced hills,...
Image features: Columns of irregularly spaced stripes, each stripe alternating rectangles of black and white with rectangles of bright orange and pink. Please scroll down to read the blog post about this object.
A New Way With Color
In celebration of National Design Month, October’s Object of the Week posts honor past National Design Award winners. In 2011, Knoll won a National Design Award for Corporate and Institutional Achievement. The company, known for fostering many talented international designers over the decades, is represented by more than 170 objects in Cooper Hewitt’s permanent collection.  ...
Image features: Three white-on-white patterned textiles sewn together, each having four selvages. The two outer textiles are patterned with stripes of geometric shapes including a bird. The center is patterned with zigzag bands, one above the other, to form an elongated diamond shape. Head opening is uncut. Please scroll down to read the blog post about this image.
Translucent Cloth
September is New York Textile Month, a citywide celebration of textile creativity. As in past years, the museum is collaborating with the Textile Society of America. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles worldwide....
Image features: Black headcovering made from stretchy mesh fabric. Please scroll down to read the blog post about this image.
A Modest Achievement
September is New York Textile Month, a citywide celebration of textile creativity. As in past years, the museum is collaborating with the Textile Society of America. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles worldwide....
Image features: Large wrapping cloth made from sheets of paper from account ledgers, glued together and stained with persimmon, giving a brownish color except where later patched with lighter colored papers. Writing still evident on sheets. Please scroll down to read the blog post about this object
Only Seeing 
September is New York Textile Month, a citywide celebration of textile creativity. As in past years, the museum is collaborating with the Textile Society of America. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles worldwide....
Image features: Samples of yarns dyed by members of the Society, affixed to the backs of admission tickets to the Annual Exhibition of 1908. Recipes for some colors are written below. Please scroll down to read the blog post about this object.
Preserving Knowledge, Preserving Color
September is New York Textile Month, a citywide celebration of textile creativity. As in past years, the museum is collaborating with the Textile Society of America. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles worldwide....
Image features: Printed length in a design of uneven vertical stripes with overlapping small oval leaf or bead shapes in strong reds, orange, blue, mauve and yellow. Please scroll down to read the blog post about this image.
Althea McNish: An Exceptional Talent
As part of the African-Caribbean diaspora of the mid-twentieth century, textile designer Althea McNish had a lasting impact on British design over the course of her career . Born in Port of Spain, Trinidad, she studied painting and worked as a cartographer and illustrator for the British government there. [1] In 1951, she and her mother left the island to...
Image features: Tablecloth with square and rectangular compartments containing whimsical scenes inspired by Mughal and Persian miniature paintings and book illustrations. Scenes include seated musician on a carpet surrounded by flowering trees and swans, elephants with howdahs strapped to their backs, riders on horseback with parasols, and figures seated in elaborate garden pavilions. Primarily in shades of green, blue and pink. Please scroll down to read the blog post about this object.
A Poetic Tablecloth
This colorful tablecloth was designed by Marion Dorn Kauffer, an accomplished twentieth-century designer primarily known for her textiles and carpets. Designing across different media, she also created wallpapers, illustrations, and graphics. The printed pattern that decorates this tablecloth features a series of square and rectangular vignettes inspired by Mughal painted miniatures from India. The vignettes...
Image features a presidential campaign textile for Hubert H. Humphrey with alternating rows of the letter H enclosed by a green and blue border. Signature of Hubert H. Humphrey is in the bottom right of green border. Each square meant to be cut to make a campaign scarf. Please scroll down to read the blog post about this object.
Signature Scarf
This Hubert H. Humphrey “signature scarf” fabric was designed for Humphrey’s 1968 presidential campaign by Frankie Welch (a.k.a. Mary Frances Barnett), a textile and fashion designer as well as personal shopper and boutique owner. When her husband’s new position at the CIA first brought the Welch family to Washington, DC area in the 1950s, Frankie taught home...