tableware

SORT BY:
Image features a square ceramic tile with the large image of a fly seen from above, rendered in back and green glazes on a white ground. Please scroll down to read the blog about this object.
Pretty Fly for a Tea Tile
Author: Victoria Jenssen I grew up with Carol Janeway’s animal-themed tiles in my parents’ home, but only since my parents’ death at the turn of this century did I start researching Janeway’s career. My family’s amusing tiles were leftovers from my father’s career of the post-war 1940s when he crafted Janeway-designed hardwood frames for her...
This image features a circular sample plate glazed with squares of various colors around the rim, surrounding the logo of a running buffalo in gold, all on a white background. Please scroll down to read the blog post about this object.
What Color Is Your Buffalo?
Sample plates are produced by manufacturers of ceramic tableware as a means of demonstrating the colors with which items, usually in a particular product line, could be glazed. Sample plates provide insight into the colors—and, in some cases, decorative patterns—that were available and popular at particular moments in time. The Cooper Hewitt collection includes several...
Image features a five part coffee service. The surfaces and forms of this set are based on the circle, from the rust-red surface decoration to the cutouts in the handles and lids of the vessels. Please scroll down to read the blog post about this object.
Coffee Talk: Celebrating Jutta Sika
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Today’s blog post was written by Adriane Dalton and originally published on September 17, 2013. Born in 1877, Jutta Sika was an Austrian designer working in a variety of different media. Sika received formal training in both...
Belle Kogan: Designing a Place for Women in the Field of Industrial Design
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Today’s blog post was written by Andrea Osgood and originally published March 31, 2014. In the late 1920s, industrial design began to emerge as a viable field in the United States.  Because of the Great Depression, there...
Classicism, Consumerism and Tea
This distinctive tea urn takes the form of Atlas supporting the world. Its triangular base has openwork decoration and rests on three ball feet. The spherical urn is held aloft by the kneeling figure of Atlas, straining as he supports the globe on his shoulders. The surface is decorated with reliefs featuring four wreathed circular...
Swedish Folklore and Industrial Design
The mermaid, a creature formed from the upper body of a woman and the tail of a fish, has long been a legendary figure in folklore. From animated films to the sea creatures of sailor lore, the mermaid has been the subject of speculation and admiration. This green-glazed bowl with silver trim designed by Wilhelm...
A Charming Scene
Ilonka Karasz decorated this Buffalo China plate in about 1935, during the time that she worked as a designer for the company.[1] Founded by The Larkin Company, a soap factory, in 1901, Buffalo China produced soap dishes and other ceramics that were offered as premiums for purchasers of soap. The Larkin Company’s desirable premiums (including...
Image of drawings by IIonka Karasz.
Tabletop Geometry
Gail Davidson discusses modernist designer Ilonka Karasz's geometric iterations for tableware.
Delicate Disposability
This simple plate is part of a large collection of disposable tableware designed by Shinichiro Ogata and produced by Wasara in Japan, with sustainability in mind. Made from a pulp consisting of biodegradable and compostable reed, bamboo and bagasse (a byproduct of sugarcane processing), these delicate looking yet durable wares take myriad forms, which allow...