textile design

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Image of a magazine page of the start of an article on Marion Dorn, featuring a block of text and five colorful images depicting textile designs.
Marion Dorn, Back in the USA
American designers Marion V. Dorn and E. McKnight Kauffer returned to New York in 1940 after a long, productive period working abroad in England. Their retreat, spurred by World War II, was a hasty one. Dorn, the more resilient of the pair, spent much of the 1940s re-establishing her career, even briefly designing scarves for...
Printed fabric has a design of wheat sheaves in black against a background of orange and yellow.
The Glow of Althea McNish
Althea McNish (1924–2020) was one of the first Black women designers to receive international recognition for her achievements in design. Her textile Golden Harvest marks the beginning of a remarkable career for an under-recognized pioneer of 20th-century textile design.
image of Gere Kavanaugh wearing a read sun hat and red dress. She sits with a microphone on a stand in front of her. Her left hand is outstretched and she wears dark rimed glasses
A Colorful Conversation: Gere Kavanaugh
Louise Sandhaus, co-author of A Colorful Life: Gere Kavanaugh, Designer  in conversation with design legend Gere Kavanaugh. They discuss the breadth of Kavanaugh’s expansive contributions to design over the last seven decades, in a career that covered everything from flamboyant textiles to unique furniture, playful products, vibrant interiors, and so much more. This program is...
Image features four horizontal rows of people and trains, rendered in black ink on paper
Spot the Difference: Steinberg Edition
Born in Romania in 1914, Saul Steinberg once described himself as “a writer who draws.”[1] Steinberg fled Europe in 1941, settling in New York City by 1942. While living in the United States, he traveled widely and observed the world around him in a highly whimsical style with an eye toward criticism and satire. Steinberg’s...
Image features a rectangular sheet with a variety of geometric patterns—rectangles, squares, triangles, and chevrons—in a muted palette of sandy pink, dusty beige, taupe, grey, and brown with isolated dots and small squares in white gouache and red wash. Please scroll down to read the blog post about this object.
Reorientation and Replication
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Adelgunde “Gunta” Stölzl was one of the most successful women designers connected with the Bauhaus, the school founded in 1919 by the German architect Walter Gropius. The mission of the Bauhaus was to integrate art, design, and craft...
Image features design drawing showing large fan-shaped flowers in pink, purple, and orange on a turquoise ground. Please scroll down to read the blog post about this object.
Fans and Flowering Tendrils
Author: Rachel Pool Purpurnelke (Purple Pink) is a textile design made from cut paper and gouache. It features entangled grapevines set amongst boldly-colored flowers that resemble Japanese fans, combined in a striking pattern indicative of non-Western influence. The designer Felice Rix-Ueno (Austrian, 1893–1967) created the blossoming flowers and their straight stems from cut paper; the...
Hybrid Pattern
Mathilde Flögl was a prolific and multi-disiplinary designer at the Wiener Werkstätte. Her experience as a graphic designer translated well for much of the surface design she executed in wallcoverings, glass, ceramics and textiles. She created ceramic figurines, assisted Josef Hoffmann with the ornamental elements in his metal work and interiors, and designed lace patterns...
Clothespins Collage
“Sharp, brilliant colors skillfully combined or used with neutral tones provide excitement in an extensive collection of textiles introduced by Herman Miller Company…” describes the New York Times writer Betty Pipes of Alexander Girard’s debut textile collection in 1952.[1] Girard was a European trained architect who came to prominence in Detroit, where he established an...
Textile Designs from a Time of Transition
As part of a large collection of nearly 1,500 design drawings produced for the textiles and fashion departments of the Wiener Werkstätte (Viennese Workshops), this selection of gouache on paper textile designs range in date from 1916-18.   The three colorways (1988-62-1, 1998-62-2, 1988-62-3) of “Riva See” (“Lake Riva”), a delicate trefoil berry pattern on...