modernism

SORT BY:
Image features a brown wooden chair with straight legs and low stretchers, slightly angled back and rectangular seat, both upholstered in tan to brown fabric. The legs and frame back are decorated with square ebony inlay. Please scroll down to read the blog post about this object.
Nieuwe, Not Nouveau
Refined, rational, and demonstrably Dutch, this was the aim when Hendrik Petrus Berlage designed this chair for the Amsterdam-based firm, ‘t Binnenhuis (The Interior). This important architect and designer opened the firm in 1900 in collaboration with the insurance company director, Carel Henny, jeweler, Willem Hoeker, and interior designer, Jacob van den Bosch.[1] Motivated by...
Image features a globular, clear colorless glass vase with a short, narrow cylindrical neck. Please scroll down to read the blog post about this object.
Ingeborg Lundin’s Renowned “Apple”
For the nearly thirty years between 1947 and 1971, that Ingeborg Lundin designed glassware for Sweden’s Orrefors glassworks, her designs were  prized for their originality, simplicity and grace. Founded in 1898, Orrefors originally manufactured bottles, window glass, and tableware. In 1914, the firm started to produce cut crystal, and by 1925 had become internationally renowned...
Two streamlined red chairs against a white background.
Hero to Zero: A History of Plastics
Design scholar Penny Sparke traces the history of plastic since the nineteenth century and through modern design of the twentieth century—and notes how the material became one of the largest challenges facing the world's environment today.
Image features two white, stylized female figures and one black, stylized male figure on purple ground, with horizontally printed black and white sans-serif text. Please scroll down to read the blog post about this object.
A Teetering Trio in a Pastel Void
In celebration of World Pride, June Object of the Day posts highlight LGBTQ+ designers and design in the collection. Today’s blog post was originally published on May 22nd, 2016. Alvin Lustig designed numerous book covers for New Directions Publishing over the course of his prolific career, including several for Tennessee Williams’s plays. Lustig’s modernist designs,...
Image features a cuff bracelet of roughly circular form composed of two intertwined curved strands of silver containing a central irregular triangular panel. The silver surface has passages of dark patination. Please scroll down to read the blog post about this object.
Art in Metal: The Modernist Jewelry of Greenwich Village’s Art Smith
From the archives, an Object of the Day post on the jewelry of Art Smith, one of the designers featured in Jewelry of Ideas.
Image features a cylindrical vase of thick-walled clear glass with internal decoration of small translucent green discs, many topped by a small air bubble. Please scroll down to read the blog post about this object.
A Panther with Leopard Spots
Saara Hopea (later Saara Hopea-Untracht) began her career as a furniture and lamp designer, but started designing glassware in about 1952, at a time when Finnish design was gaining prominence on the world stage for its strong attention to materials and sense of organic form in a modern idiom. Kaj Frank, Hopea’s former teacher at...
Image features a lamp with a three-tiered shade composed of three stacked glass circles of graduated sizes, all on a simple dark brown metal base consisting of a vertical rod on a circular foot. The lamp is topped by a circular dark metal screw-on cap. Please scroll down to read the blog post about this object.
A New Form for a New Technology
Danish architect and designer Poul Henningsen’s interest in light and lighting started at a young age when as a child in the 1900s, he observed the sharp glare from fixtures housing bare electric bulbs in his family home. Electric lighting was new, and older lighting devices, such as candlesticks or gas lamps, were being adapted...
Image features Circular green radio with semi-circular station dial at top front above circular brown textile-covered speaker with three vertical metal rods as grille; three circular control knobs below speaker. Please scroll down to read the blog post about this object.
Radio in the Round
The cost and large size of early radios made them status objects for the home. Their housings were made of wood and often imitated cabinet furniture in traditional styles. But, by the early 1930s and the rise of Modernism, sophisticated consumers began to update their interiors, and furnishings such as radios followed suit. In 1930,...
Image features a design for chromium-plated bronze floor lamp for the print room of Abby Aldrich Rockefeller’s Topside Gallery in the Rockefeller townhouse at 10 W 54th Street, New York, New York. Above at center, object shown in elevation: circular foot in brushed chromium supports four lengths of rectangular brushed chromium straps that angle upward, stabilized by a pair of rings below and a single ring above, to hold polished chromium, semispherical shade. Below, object shown in plan. Please scroll down to read the blog post about this object
Abby Aldrich Rockefeller, Matron of Modern Design
In celebration of Women’s History Month, March Object of the Day posts highlight women designers—and  today, patrons—in the collection. While this month we’ve been celebrating women designers, today’s post considers the role played by women patrons in the arts, architecture, and design.[1] Where modernism in America is concerned, one of the most influential actors in...