Glass

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Subtle but Strong
Sarah D. Coffin discusses the technical excellence of this Lobmeyr Ambassador vase, now on view in The Jazz Age: American Style in the 1920s.
Tickled Pink
In 1929, George Sakier was hired as a consultant for the well-established American glass manufacturer Fostoria, for whom he would work for the next fifty years. With a background as an art director of French Vogue, Harper’s Bazaar, and Modes and Manners magazines, Sakier’s commercial savvy as well as his eye for trends served him...
Picture of a Lalique necklace
For the Birds: René Lalique’s Glass Necklace
René Lalique was one of the most versatile jewelry artists working in the twentieth century, in that he was equally successful in two periods of design history. Lalique created both luxurious one-off pieces for fashionable ladies during the art nouveau period and also successfully created mass-produced glass pieces in the style moderne. Lauded during the...
A Clearly Viennese Vase: Ambassador Vase by Oswald Haerdtl
Now on view in The Jazz Age: American Style in the 1920s, this Ambassador Vase was likely used in the dining room of Agnes Miles Carpenter's "Style Moderne" Fifth Avenue apartment.
Showing the Way: A New Light on Old Skills
One of the most wonderful mixtures of new technology-electricity-with elegant hand-crafted materials, in this case glass and metalwork, is this table lamp. It shines forth with the strength of electricity but uses soda glass to create a glow more associated with a pre-electrified era. William Arthur Benson, who was trained as an architect, took up...
Colored Glass At Last!
The No. 2402 bowl, shown here in what the Fostoria Glass Company called “ebony,” is one of eight pieces of glass tableware designed by George Sakier in the museum’s collection. The bowl was made in 1930, just a year after Fostoria hired Sakier to be their main design consultant. The avant-garde look of this bowl...
Morse Lecture | Ben Macklowe on Louis Comfort Tiffany: Artist & Innovator
Louis Comfort Tiffany used exotic motifs, extraordinary color, and abstracted forms in his lamps and art glass to become one of the most instrumental figures in American design history. While the Tiffany Studios stopped producing goods almost a century ago, the meticulous craftsmanship that went into the making of the studio’s lamps and vases has...
The Beauty in Simplicity
The Austrian architect Adolf Loos (1870-1933) designed a set of drinking glasses in 1931 to be shown at the Exhibition of Interiors in Cologne.  His intention was to display to the public how an updated table setting should look.  Loos, who was known to have a simplified, rectangular and rectilinear design aesthetic chose the well-known...
Landscape Glass
The Daum family name has been synonymous with art glass since the late 1800s when the family immigrated to Nancy, France. The patriarch Jean Daum and eldest son Auguste established a glasswork factory with their youngest son Antonin Daum who took the family industrial glass production in a new direction by introducing art glass. Antonin...