Image features a cylindrical vase of thick-walled clear glass with internal decoration of small translucent green discs, many topped by a small air bubble. Please scroll down to read the blog post about this object.
A Panther with Leopard Spots
Saara Hopea (later Saara Hopea-Untracht) began her career as a furniture and lamp designer, but started designing glassware in about 1952, at a time when Finnish design was gaining prominence on the world stage for its strong attention to materials and sense of organic form in a modern idiom. Kaj Frank, Hopea’s former teacher at...
A horizontal photograph of an elaborate gold and glass table centerpiece, against a dark background, focusing on a central sculpture of three women and two towers of glass dishes.
Conserving the Surtout de Table: Cut Glass
Written by Sarah Barack, Head of Conservation, Senior Objects Conservator Thanks to a generous gift from the Smithsonian Women’s Committee, Cooper Hewitt’s spectacular surtout de table centerpiece was the focus of a recent technical study and conservation treatment by the museum’s conservation department. In this series of posts, conservators will be sharing the results of...
Image features group diamond-shaped glass vases of different heights and colors in overlapping arrangement reminiscent of a cityscape. Please scroll down to read the blog post about this group of objects.
Color Landscaping with Glass Vases
Ruutu, Finnish for diamond or square, is the theme that is carried across the five sizes and seven hues of these modular glass vases. The vessels, created by French designers (and brothers), Ronan and Erwan Bouroullec for the Finnish glass firm, Iittala, share a minimal, rectilinear style. Like other works by the Bouroullecs, the Ruutu...
Image features Mirror in large, carved and gilded vertical frame with double arch at top with pyramid of asymmetrical and tall curved leaf forms at each corner which flow into serpentine curves and then join straight sides; flowers entwined around straight sides; bottom rail duplicates curve at top rail and has asymmetrical group of foliage carved at center. Please scroll down to read the blog post about this object.
Reflections on Light
Mirrors, a commonplace fixture in the modern world, were not always the familiar accessory that they are today. Although some form of mirror has existed since ancient times, mirrors such as this 18th-century example used early industrial processes to create the fragile, metal-coated glass panes placed within a decorative frame. During the 18th century glass-making...
Image features vessel with longated conical shaped bowl; bowl has engraved decoration of female figure sitting on ruffled banner, scalloped ornamental bands at top and bottom and stars spaced throughout. Tall, thin six-sided stem with small notches on corners. Flat circular foot with ornamental bands that match bowl. Lid tapers to tall six-sided notched finial with knop. Please scroll down to read the blog post about this object.
Swedish Grace in Glass
This tall glass covered vessel was designed in 1923, by Edward Hald, artistic director of the Orrefors glassworks in Sweden. It features engraved decoration of a female figure seated on a fluttering banner, amid a field of stars bordered by scalloped bands. The delicate star and band motifs are carried through in the vessel’s tapered cover...
Image features set of 18 clear glass rectangular and square modular, nesting food and beverage storage containers and lids. Containers are of differing heights (about 2" to 6"), widths, and depths. Please scroll down to read the blog post about this object.
Author: Zenia Malmer The ‘Kubus’ clear glass stacking and modular storage system was created in 1938 by German designer Wilhelm Wagenfeld (1900-90), who frequented the Bauhaus school in the former Weimar Republic. Kubus, which was manufactured by Lausitzer Glasverein, was one of Wagenfeld’s most well-known affordable designs in pressed glass that he created for commercial...
Image features glass vase of roughly ovoid from with mottled iridescent decoration in shades of gold, blues reds and greens. Please scroll down to read the blog post about this object.
Ancient Attraction
From the archives, an Object of the Day post on an example of iridescent design from the collection.
Image features short glass vase of of campana-urn form, the interior of copper-toned aventurine the exterior with blue, white and yellow florette murrines; C-form handles on left and right. Please scroll down to read the blog post about this object.
Frozen in Time
This urn-shaped vase represents important historic glass making techniques whose possibilities were expanded during the revival of glass production in late 19th-century Venice. The form features two spectacular variations of glass for the viewer to enjoy and ponder. At first glance, the most eye-catching feature is the inner layer of avventurina (also known as aventurine), the metallic copper-toned...
Image features tall vase with vertical rods of lattimo glass alternating with transparent glass containing irregular circular and oval polychromed murrine. Please scroll down to read the blog post about this object.
Glass Rods, Like Slices of Candy, Add Color and Depth
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. This vase by Anzolo Fuga, was created using clear glass (cristallo) which was decorated with vertical rods of opaque white glass (lattimo) and multi-colored murrine. Murrine are colored...