Object of the Day

SORT BY:
bowl
Colored Glass At Last!
The No. 2402 bowl, shown here in what the Fostoria Glass Company called “ebony,” is one of eight pieces of glass tableware designed by George Sakier in the museum’s collection. The bowl was made in 1930, just a year after Fostoria hired Sakier to be their main design consultant. The avant-garde look of this bowl...
135422_1dd6e0a42cb507e1_b
Cold Wax
The Tillett Cold Wax System was one of the techniques Jack Lenor Larsen covered in detail in his 1969 book, The Dyer’s Art. Leslie Tillett explained, “I began serious research on a screen-printable resist material about three years after arriving in this country in 1947… I was after a formula or substance that would easily...
2015-51-1
It Starts With A Napkin
This is an early concept sketch for the lamp “I Ricchi Poveri – Silver Bzzzz” by the “poet of light” Ingo Maurer. The lamp is part of a small series through which Maurer has sought to play on the natural attraction to light in nature. In the design for “I Ricchi Poveri – Silver Bzzzz,”...
1988-44-2
From Mud Into Immortality
Upon his return from military service in Europe in 1919, Henry Varnum Poor settled in an artists’ community in New City, New York where he purchased land and began single-handedly building a home called Crow House, named after the local birds who kept him company while he worked. As a struggling painter Poor was always...
36384_0dbaa3b2dca6d9f7_b[1]
Japan Meets New York
Japanese vases, Niagara Falls, and the Brooklyn Bridge are unusual companions in this American paper from the mid-1880s. The paper melds the long-popular fashion in the US for papers depicting landscapes with the then-current obsession for “Japonesque” patterning. This obsession had its origins in the importation of Anglo-Japanese papers from England in the 1870s. These...
1967-85-4-a
International Style Tea
This Austrian tea service was designed in a thoroughly modernist style. Forms have been radically simplified to their stark geometric essence. The pieces have no applied ornament, adhering to the principle of “form follows function”, one of the central tenets of modernist industrial design. Following the First World War, new economic and social conditions made...
1941-69-162
A Daughter’s Tribute
When she stitched this family register sampler at the age of nine, Eliza Ann Hunt had lost both her mother and her step-mother. She commemorates her father’s two marriages within three interlaced hearts: the first contains his name and birth date, the second encloses the names and birth dates of his two wives, and the...
dorothy draper
Flights of Fancy
While interior designer Dorothy Draper is most well-known for baroque interiors featuring hallmarks of large floral patterns, plants, and vibrant colors, she adapted her vision to a range of spaces, including automobile and airplane interiors. This 1957 design for an airplane club area still evokes elements of the Draper fantasy but in a style more...
1931-88-172-a,b
A Question About Two Turkeys
“Can you help us in identifying where our birds were made?”[1] This inquiry is one of numerous others regarding two fowl from a 1968 letter from Catherine Lynn Frangiamore, then an assistant in the Department of Decorative Arts (now Product Design and Decorative Arts) at Cooper Hewitt, to Lino Sandonnini, then director of the Museo...