While fidget spinners are the latest trend in handheld amusements, spinning phenakistiscope discs such as the example shown here charmed 19th-century audiences. These discs were the first widespread devices that created an illusion of fluid motion. Before cinematography, adults and children alike were captivated by objects that combined art and optical illusion, and much of...
This 1947 print by graphic designer Alvin Lustig presents an early logo design for the Hollywood animation production studio United Productions of America (UPA), founded in 1943 and primarily active through 1960. The graphic identity’s bold black circle with its vertical brown band embraces a simple and modern approach to portraying a classic film reel,...
From the Object of the Day archives, a blog post on the concept cars designed by Pete Wozena for General Motors.
Though this striking drawing may at first seem to present a colorful abstract fantasy, the design meticulously translates 78 measures of the 1870 music drama Die Walküre into a new complex visual form. Before creating this ornamental design, John De Cesare worked very successfully as an architectural sculptor. He provided sculptural decoration for some of...
This poster by graphic designer Rick Valicenti is loaded with iconic commercial imagery. In 1994, Valicenti received the commission to design a poster introducing the Northstar and Broughton Printing Company’s new eight-color press. His resulting design is at once an advertisement for the new press as well as a provocation that questions the role of...
This vibrant mural design by Charles Baskerville for A Jaguar Hunt in a Mexican Jungle presents an imagined vision of a lush, foreign environment. Part of a group of studies for the pool house (called the Mexican Pavilion) at the Cornelius Vanderbilt Whitney Estate, the eight-hundred-square-foot mural transported Long Island residents and guests to a...
This poster designed by Seymour Chwast for Herman Miller Furniture Company is all about the details. Chwast skillfully packed a bustling city scene overflowing with conversation into the poster’s vertical format, requiring the viewer to look closely and engage with the design’s dialogue as though reading a comic or storybook animated by the designer’s careful...
This bold poster was printed by the Chicago Women’s Graphics Collective to celebrate International Women’s Day on March 8, 1975. The elegant design uses direct, straightforward symbols to clearly communicate a message of unity, a popular design approach amongst political and activist posters from the 1960s and 1970s. In this example, the simple repeat of...
At first glance, this design drawing for the tapestry Our Mountains by Trude Guermonprez (American, b. Germany, 1910–1976) may appear to be a simple mountain landscape. A closer look reveals that the cool blue-green peaks and valleys are actually formed by three reclining faces in profile. In the background, the face of Guermonprez’s husband John...
