Author: Gail Davidson

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Image features a design drawing of flatware: forks and knives. Please scroll down to read the blog post about this object.
A glimpse into Gerald Gulotta’s design process
This post was originally published on November 10, 2013. Gerald Gulotta became an established freelance designer of ceramics, glassware, silver and stainless steel cutlery during the 1960s and 1970s. His sleek, slender, elegant tabletop designs look as contemporary today as they did during the height of his career. The Drawings, Prints and Graphic Design department recently acquired...
Drawing of a long, symmetrical house, dominated by rows of columns. Rendered in black and white with areas of bright green foliage.
A 1920s-1930s Architect Lives on Today
This preliminary drawing for the Lake Bluff, IL country home of investment banker William McCormick Blair reveals the early thought process of the architect David Adler. Trained at the Technische Universität, Munich and at the École des Beaux-Arts, Paris, Adler built his Chicago-based practice in the 1920s and ’30s designing gracious, sprawling country homes rooted in...
Image features an aerial perspective of a of the Palace of Versailles and a rectangular housing at the upper left, adjacent to the Palace Grounds. Please scroll down to read the blog post about this object.
Monumentality in Social Housing
Ricardo Bofill’s architectural design, Aerial Perspective of the Lake, the Arcades, the Viaduct, and the Temple Housing Complex for St. Quentin-en-Yvelines (1981) displays the architect’s concept sketch for a monumental housing project to be constructed in the outskirts of Paris.[1] While the idea of constructing mass social housing in suburban Paris dates back to the...
Image features a horizontal envelope with "The Public Theater" written vertically down the left side in black and red fonts. Please scroll down to read the blogpost about this object.
Everyone’s Public Theater
Paula Scher’s identity for New York’s Public Theater has become the ne plus ultra of graphic design. When it was created in 1994, no one had ever seen anything quite like it. With its bold red and black typography, the logo combined letters of different sizes, weights, and spacing, running vertically down the side of...
Highway Reads
In celebration of the museum’s inaugural Cooper Hewitt Lab: Design Access taking place in the Barbara and Morton Mandel Design Gallery through February 15, we are highlighting innovative accessible design from the permanent collection. The Clearview typeface is a beautiful example of the way design helps to improve people’s daily lives. A product of the...
Is there a Gothic Cottage in your Future?
This Object of the Day  celebrates one of many treasured objects given by Clare and Eugene V. Thaw to Cooper Hewitt, Smithsonian Design Museum.  It is republished here in memory of Eugene V. Thaw. Click on this link to read more about the Thaws and their gifts to Cooper Hewitt.    This charming gothic interior was the...
Behind Closed Doors: How Royalty Lived in Nineteenth-Century Paris
This Object of the Day  celebrates one of many treasured objects given by Clare and Eugene V. Thaw to Cooper Hewitt, Smithsonian Design Museum.  It is republished here in memory of Eugene V. Thaw. Click on this link to read more about the Thaws and their gifts to Cooper Hewitt.    The fashion for commissioning watercolors after...
A Chinese Fantasy
This Object of the Day  celebrates one of many treasured objects given by Clare and Eugene V. Thaw to Cooper Hewitt, Smithsonian Design Museum.  It is republished here in memory of Eugene V. Thaw. Click on this link to read more about the Thaws and their gifts to Cooper Hewitt.    This room portrait is one of...
Smoking Room
This Object of the Day  celebrates one of many treasured objects given by Clare and Eugene V. Thaw to Cooper Hewitt, Smithsonian Design Museum.  It is republished here in memory of Eugene V. Thaw. Click on this link to read more about the Thaws and their gifts to Cooper Hewitt.    Design for a Smoking Room by...