Object of the Day

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Psychedelic Seats
This poster for the La Jolla Museum of Contemporary Art’s exhibition The Modern Chair: Its Origins and Evolution was designed by John van Hamersveld in 1977. Van Hamersveld, a California born and bred graphic designer, is most widely known as the artist behind the iconic 1964 Endless Summer movie poster. Incorporating fluorescent paints and striking graphic language, van Hamersveld brought...
Knoll’s Orchestra Disk Holder: An Artifact of Office Tech
Knoll Group’s Orchestra Disk Holder is an artifact of the bygone days when floppy disks were the most widely used digital storage tools in the corporate landscape. First introduced by IBM in 1971, the floppy disk reigned supreme until the late 2000s when smaller-scale or higher-tech alternatives like the USB flash drive, optical discs (CDs...
Out of Italy
This frieze represents a very late example of the English Regency style in wallpaper. The Regency style is largely connected to the period between 1800-1830 and is considered the final development of English Neoclassicism, the dominant design style in Britain for most of the late 18th-century and early-19th century. The date of this paper places...
vedder mermaid
Maid in Glass
Perhaps better known for his illustrations of the Rubáiyát of Omar Khayyám, Elihu Vedder’s prolific career began in the 1860’s, when the Hudson River School was in its prime, and ended in the early 20th century, when Modernism was taking root. His work, influenced by the Pre-Raphaelites, captured the imagination of late 19th-century audiences. Born...
Pattern from the Past
William De Morgan’s ceramic decoration was often inspired by the medieval world, similar to the practice of his dear friends William Morris and Edward Burne-Jones. De Morgan’s vases and tiles were frequently adorned with fantastical animals, beasts, and grotesques. On this vase, two stylized fish recall the designs found in illuminated manuscripts. Their bodies gently...
Chair, Cabbage, 2008
A poetic transformation of industrial waste
From the archives, a past collaboration of design firm Nendo and designer Issey Miyake.
Three Dimensions of Plastic Upcycling
An Issey Miyake collection uses textiles made from recycled plastic bottles.
I Can Weave with Anything
Designer Suzanne Tick turns trash into textile treasures.
No-waste Cotton Cape
Japanese resourcefulness embodied in a nineteenth-century cloak.