about

The Object of the Week blog is written by Cooper Hewitt’s curators, graduate fellows, and contributing researchers and scholars. Posts are published every week and present research on an object from the museum’s collection. With over 210,000 objects spanning thirty centuries of decorative arts and design, Object of the Week explores the material culture of textiles, graphic design, furniture, products, architectural drawings, wallcoverings, and much more.

Image features two circular bowls, one smaller than the other, made of translucent aqua-toned glass, their surfaces showing the textures and irregularities of the stone molds used to shape them. Please scroll down to read the blog post about these objects.
Glass Shaped in Volcanic Stone
Innovative designer, Emilio Godoy, first came to the museum’s attention for his concerns about environmental sustainability, materials, and efficiency in production. His Pablo and Pedro glass project emerged from “the analysis of the energy used in glass manufacturing, in particular, the energy and resources needed for the fabrication of metal molds” used to form glass...
Image shows one scene from a border illustrating Christopher Robin's discovery of the North Pole. Please scroll down for additional information on this object.
Winnie the Pooh
This post was originally published January 18, 2013 and is being reposted in a belated commemoration of A.A. Milne’s birthday and the creation of this wonderful story and its beloved characters. This children’s frieze captures the adventures of Winnie the Pooh and Christopher Robin. This is a woodblock print and was produced within a year...
Image features an etching in black ink on white paper, showing an opulent bed with sumptuous hangings in an ornate room. Please scroll down to read the blog post about this object.
A Bed for a King
This post was originally published on October 9th, 2014. An opulent bed, almost completely dominated by its hangings, pushes at the edges of the border in this etching by the French designer and architect, Daniel Marot. This design is for a state bed (lit d’apparat), a bed that was purely ceremonial rather than functional, and...
Image features a length of wool canvas with an irregular grid of embroidered floral and geometric borders. In gray, ochre, orange and white on a dark brown ground. Please scroll down to read the blog post about this object.
Borders
In 2005, Hella Jongerius was invited to curate a Selects exhibition at Cooper Hewitt. She became fascinated by the museum’s collection of over 1,000 embroidered samplers. For the exhibition, she made her own “Sampler Blankets,” which combined motifs drawn from the historic examples with industrial techniques like machine embroidery and needle-punch felting. These explorations were...
This image features Arctic inspired water service that includes a serving tray, water pitcher, cups, ice bowl. Reed & Barton, artistic workers in silver & gold plate. 1884.
On a Hot Summer’s Night….Icy Cold Silver
Does the frozen scenery on this Reed & Barton beverage set make you feel like the ice water is really icy?   More refreshing? Are you transported to frostier climes in faraway places? Icebergs “startle, frighten, awe; they astonish, excite, amuse, delight and fascinate”[1].   Depending on where you live, icebergs and polar bears can be as...
Image features a double-sided wastebasket in the shape of an inverted triangle with two triangular feet and a red interior. One side shows a black background with silver-toned rays emanating from top right corner and a 'cityscape' of colorful overlapping rectangles at the base. Please scroll down to read the blog post about this object.
Trashy Modernism
Tucked underneath a desk or in a corner of a room a wastebasket sits waiting to collect trash. While an often overlooked item of everyday life, it received the full attention of Donald Deskey. The designer, who established his career in New York in the 1920s, dedicated himself to reimagining the look of the American...
Image shows a mid-century wallpaper with cocktail and kitchen motifs. Please scroll down for additional information on this object.
Dig that Paper!
Author: Anne Regan This pop-culture inspired cocktail paper from the post-World War II era immediately evokes images of the model 1950s suburban home. Its imagery—mostly items used within the kitchen like fruits, coffee, cocktail drinks, and even poultry—reference a variety of trends in 1950s America. The chickens and roosters are representative of fertile animals, a...
Image features a poster for the New York Subway Advertising Company, encouraging businesses to purchase advertising space in subway stations or on trains. In the foreground, at bottom left, a single train's rail, rendered in perspective extends into a black, spiraling tunnel. At the vanishing point of the tunnel, a cluster of colorful, overlapping rectangles, meant to represent posters. Across the bottom, in black text: [New York Subway Advertising Company logo] RAILS TO SALES / SUBWAY POSTERS [a red line cuts through the center of "subway posters"]. Please scroll down to read the blog post about this object.
Rails to Sales on the New York City Subway
This poster, designed for the New York Subway Advertising Company, exemplifies the signature approach of American graphic designers Otis (Shep) Shepard and Dorothy Van Gorder—the poster prioritizes the image as text becomes peripheral to the overall message. It combines reductive, abstracted forms with ample airbrushing to create a dynamic arrangement. The pair met in 1927...
Image features a length of patterned knit with technical and molecular references is a structured knit and engineered a net of ovals which interlock to form large vertical stripes. Evenly stacked lengthwise in size order, the staggered arrangement of three scales of ovals has a sense of ascension. Please scroll down to read the blog post about this object.
Lift
Lift is part of an ongoing series of innovative textiles designed by German designer, Konstantin Grcic in collaboration with Maharam. A sporty, patterned knit, Lift continues Grcic’s exploration of nontraditional textile manufacturing techniques. When Grcic designed his first four nonwoven textiles for Maharam in 2015 he toured production facilities throughout Europe to gain a deeper...
Image features a wallpaper with a rather random pattern of scrolls, printed in muted blue and tan. Please scroll down to read the blog posts about this object.
Washable Watercolor Effects
Here is a wallpaper that is quite beautiful though difficult to describe. Rather atmospheric in effect, kind of a blend of crashing waves and tie-dye. If you start looking at the details there appears to be a scrolling acanthus motif which can be seen in the lower right, with a mirror image of this in...
Image features a side chair composed of black tubular steel rods, some diagonally set, bent to form the chair's outline and volume. Please scroll down to read the blog about this object.
Is There a Chair There?
Not every chair immediately presents itself as a chair. Pared down to its basic components, this chair is a study in outline and form. It was part of design firm nendo’s first solo exhibition in England, at the Saatchi Gallery in 2010. Responding to the exhibition theme, “Outlines”, nendo created the Thin Black Lines series of...
Poster for the 1968 exhibition at the Museum of Modern Art, “Word and Image: Posters and Typography from the Graphic Design Collection of the Museum of Modern Art, 1879–1967.” Across top margin in white text: WORD IMAGE WORD IMAGE WORD IMAGE [sic]. Below, on a black ground, four open mouths with pink lips, white teeth, and a red tongue arranged in a 2x2 grid. At bottom, red and blue rays emanate from a large, blue eye with a pink lid. Across bottom margin: THE MUSEUM OF MODERN ART, NEW YORK, JANUARY 24–MARCH 10 / DESIGNER TADANORI YOKOO COPYRIGHT © 1968 THE MUSEUM OF MODERN ART POSTER ORIGINALS LTD., NO. 89.
Fluorescent Word and Image
Before turning his attention to graphic design in the mid-1960s, Tadanori Yokoo (b. 1936) first trained as a painter and worked as a stage designer for avant-garde theater productions in Tokyo.  By the late 1960s, however, he was best known as a graphic designer. His work drew international acclaim when it was included in the...
Image features a pair of bags with a flap opening in the center. Black velveteen fronts, embroidered in a large-scale floral design in red with outlines in blue and green; inner and outer borders with a geometric design in yellow and off-white. Woven bands in indigo blue at top and bottom, embroidered with a scrolling design in two shades of red, ending in fringes in dark red, blue and black, wrapped with gold metallic yarns. Backing is red cotton with a discharge print in white of two paisleys, a star and cresent moon. Hanging loops at upper corners. Please scroll down to read the blog post about these objects.
Decorative Storage
In Kyrgyzstan, the nomadic past is evident in the quantity of collapsible, portable textile furnishings. Textile objects found in Kyrgyz homes include patchwork, embroidered, or appliquéd quilts, saddle bags, pot holders, rugs, clothing, room dividers, and in the case of yurts, tent flaps. These garments and housewares are often made as part of a bride’s...
Image features an adjustable reclining rocking chair made of light brown, bent beechwood with woven cane back, seat, and foot rest, hinged to fold under seat. The chair sits on two ovals which serve as its arms and rockers. Please scroll down to read the blog post about this object.
Bending Form, Not Function
Adjustable and rockable, this reclining chair exemplifies the fusion of form and function. The chair was designed by the Udinese-based firm, Società Anonima Antonio Volpe, around 1905. The firm specialized in the production of bentwood furniture for the Italian market. This type of furniture had been made popular by the Viennese firm Gebrüder Thonet, which...
Image features a wallpaper illustrating the tale of a Thousand and One Nights. Please scroll down to read the blog post about this object.
These Walls are Telling Stories
This is an exquisitely printed wallpaper illustrating the Thousand and One Nights tale. The story is told through a series of five frames or portals, each of which alternates with a smaller frame which remains constant. Each of the scenes is printed in brilliant colors with an ombre sky that shades from orange to blue....