Author: Cynthia Trope

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Image features a globular, clear colorless glass vase with a short, narrow cylindrical neck. Please scroll down to read the blog post about this object.
Ingeborg Lundin’s Renowned “Apple”
For the nearly thirty years between 1947 and 1971, that Ingeborg Lundin designed glassware for Sweden’s Orrefors glassworks, her designs were  prized for their originality, simplicity and grace. Founded in 1898, Orrefors originally manufactured bottles, window glass, and tableware. In 1914, the firm started to produce cut crystal, and by 1925 had become internationally renowned...
Image features a lamp composed of a curved, white translucent shade on a segmented stainless steel column with a white base. Please scroll down to read the blog post about this object.
The Pipistrello Lamp
By the 1960s, it could be argued that lighting design had come of age. This was influenced by several factors—booming post-war economic growth, the emergence of a new youth market eager to challenge established ideas about modern style, and the continuing development of lighting technologies and new plastics that encouraged greater experimentation with form and...
Image features a low, stepped rectilinear typewriter,the; top section and paper support in light blue, yellow knobs on left and right ends of platen, and gray base with gray "QWERTY" keyboard and function keys. Linear indented banding in wedge-shaped base visible in profile.
A Dexterous Touch
By the 1980s, the drive to miniaturize electronics had advanced so far that industrial designers were no longer obliged to create forms that had to accommodate large internal mechanisms and parts. Mario Bellini and his contemporaries could use their creativity and skills to appeal to consumers on practical, visual and experiential levels. His ET Personal...
Image features an arm chair of irregular curved form composed of stacked thin contoured plywood sheets. Please scroll down to read the blog post about this object.
Slice Chair
Danish designer Matthias Bengtsson designed the Slice chair in 1998, while a student at the Royal College of Art in London. Exploring the relationship between high tech manufacturing methods and the hand-made, his creative process combined cutting-edge production techniques with craft. Bengtsson first modeled the curves and contours of this sculptural form by hand in...
Image features a group five floor lamps in the shape of giant pills, each with a white top and a base in a different color: yellow, white, green, red, and blue. Please scroll down to read the blog post about this object.
Popping Pills
Revealing the importance between Pop Art and design, Cesare Casati and Emanuele Ponzio’s Pillola lamps designed in 1968, are representative of Italy’s anti-design movement of the mid-1960s and 1970s. Challenging notions of “good design,” the anti-design movement took its cues from Pop Art’s use of bright colors and banal subject matter. The Pillola lights culturally...
“How High the Moon”
In his How High the Moon chair, designer Shiro Kuramata utilizes an industrial material, steel mesh, to give a contemporary interpretation to the traditional club chair. The shape and proportions are based on an established Western form—a bulky, deeply upholstered easy chair with a low back and deep arms—but here, Kuramata’s use of an unexpected...
Image features a black desk lamp consisting of a small rectilinear bulb housing with reflector supported by two pairs of counter-weighted adjustable arms set on a swiveling cylindrical base with cooling slots and a red plastic on/off switch. Please scroll down the read the blog post about this object.
So Much Light Cast, So Little Space Used
In 1970, aeronautical engineer Ernesto Gismondi and architect Sergio Mazza, co-founders of the lighting manufacturer Artemide, asked industrial designer Richard Sapper to design a desk lamp. A year later Sapper presented them with the Tizio lamp, a product that met his own needs. “I wanted a work lamp with a wide range of movement, but...
Image features a decorative comb of triangular form, made of mottled, translucent brown tortoiseshell. The edges with intricate pierced scrollwork surrounding a solid section with a V-shape cut in the center; five long teeth at bottom, to fix the comb in the wearer's hair. Please scroll down to read the blog post about this object.
The Tortoise in the Hair
A version of this post was originally published on September 22, 2015. Some combs are used to groom hair, others to embellish and hold it in place. This decorative lady’s hair comb dates from the nineteenth century. By the 1830s, the austere, classically inspired Empire or Regency fashions popular since about 1795 had been supplanted...
Image features a small white plastic table molded in the shape of the continental United States. Please scroll down to read the blog post about this object.
When Form Follows Symbolic Meaning
In celebration of World Pride, June Object of the Day posts highlight LGBTQ+ designers and design in the collection. Best known today for his graphic design, Dan Friedman was also an educator and writer who tirelessly explored and experimented in many other design disciplines. In the late 1960s, Friedman studied graphic design in Germany and...