Author: Matilda McQuaid

SORT BY:
Length of fabric in which squares of various woven and embroidered white Nuno fabrics are machine stitched to a water-soluble base cloth which is then dissolved away, leaving an open ground with 'floating' scraps. Please scroll down to read the blog post about this object
Tradition and Technology
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Tsugihagi was designed by Reiko Sudo, one of Japan’s most important contemporary textile designers. Educated at Musashino Art University, she and Junichi Arai (Japanese, 1932–2017) were the co-founders in 1984 of the Japanese company and store, NUNO,...
The natural linen woven base cloth is stretched in tension on a wooden frame. Skeins or coils of bleached linen are alternately twisted in the 's' or 'z' directions, and anchored to the foundation by sewing them with strong linen thread using a semi-circular needle, allowing the artist to control and stabilize the volume.
Macro Embroidery
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Cour de Rohan, which bears the name of Sheila Hicks’s home in Paris, is an example of the artist’s “macro-embroidery” process, a scaled-up version of the embroidery stitch known as point de couchage or point lancé et...
Hybrid Pattern
Mathilde Flögl was a prolific and multi-disiplinary designer at the Wiener Werkstätte. Her experience as a graphic designer translated well for much of the surface design she executed in wallcoverings, glass, ceramics and textiles. She created ceramic figurines, assisted Josef Hoffmann with the ornamental elements in his metal work and interiors, and designed lace patterns...
Paper Wave
The original idea behind the Finnish design firm, Woodnotes, was to combine artistic creativity with inspiration from two basic Finnish materials: wood and paper. All of the products by Woodnotes utilize paper yarn that is spun from durable kraft paper. The amount of paper used in the textile varies between 70–100%, with cotton as the...
Irish Awakening
In 1965, Jack Lenor Larsen made the first of sixteen trips to Ireland at an invitation from the Irish Export Board to develop fabrics for interiors. Using a mill specializing in worsted wool and a Donegal handweaving operation, he produced worsted damasks and tweed and satins with vegetable-dyed screen prints, which make up his 1969...
Cinematic Roots
Fresco is a hand-drawn and -painted textile created by a team of Indian calligraphers. Formerly employed to paint cinema billboards, these painters now produce craft fabrics. The uniqueness of each textile is only discernible under close scrutiny, when one notices slight variations of lines and the occasional stray ink marks. This overall consistency of application...
Stainless Steel Gloss
Stainless Steel Gloss was designed by Reiko Sudo, one of Japan’s most important contemporary textile designers. Educated at Musashino Art University, she and Junichi Arai were the co-founders in 1984 of the Japanese company and store, NUNO, which produces textiles of extraordinary ingenuity and beauty. Sudo and the other designers at NUNO combine tradition and...
Image of textile piece 1919.
Peche’s Ornamental Ombré
Matilda McQuiad discusses this ombré textile by prominent Austrian designer Dagobert Peche.
Millmosaic
Millmosaic was introduced in 1960, while Alexander Girard was head of the Textile Division at Herman Miller.[1] His work derived from a wide range of sources such as ancient and folk art, however the design for Millmosaic was most likely inspired by his interest in contemporary art, or more specifically, Op Art. The geometry of...