Month: May 2019

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Image features a rendering of a draped female figure with fairy wings turned toward the right, holding an outstretched cord between her hands. Please scroll down to read the blog post about this object.
Beautiful Bills
With her butterfly wings, this artfully draped female figure would seem more at home decorating a theater than ornamenting U.S. currency.  Yet the designer, Walter Shirlaw, clearly labeled his drawing “Bank Note Design.” Shirlaw left school at the age of twelve and apprenticed himself to a bank note engraving company, believing that it would help...
Image features a cylindrical vase of thick-walled clear glass with internal decoration of small translucent green discs, many topped by a small air bubble. Please scroll down to read the blog post about this object.
A Panther with Leopard Spots
Saara Hopea (later Saara Hopea-Untracht) began her career as a furniture and lamp designer, but started designing glassware in about 1952, at a time when Finnish design was gaining prominence on the world stage for its strong attention to materials and sense of organic form in a modern idiom. Kaj Frank, Hopea’s former teacher at...
Image of Brittany Nicole Cox, horologist, on stage at Cooper Hewitt
The Morse Lecture | Designing the Sublime: Mechanism, Risk, and Wonder
DESIGNING THE SUBLIME: MECHANISM, RISK, AND WONDER World-renowned antiquarian horologist Brittany Nicole Cox explores the diverse utilization of the machine in design through a selection of objects drawn from the collections of Cooper Hewitt and other Smithsonian museums. Examples range from a nineteenth-century singing bird box to the world’s first tuning fork watch. Cox makes...
Image features: Constructivist-inspired design of ships, cranes, steel girders, and buildings in black and dark yellow on an off-white ground. Please scroll down to read the blog post about this object.
Machine Imagery
This Constructivist-inspired textile likely was produced in the United States during the mid-to-late 1920s. The designer is presently unknown, but presumably was an individual familiar with Russian Constructivist design principles, which took inspiration from the industrial world. Printed in dark yellow and black on creamy off-white silk satin, the textile has an overall design of...
Image of a panel discussion at Cooper Hewitt. ON stage from left to right are Hans Tan, Hong Wei Phua, John Christakos, Mikyoung Kim, and Vasso Giannopoulos
Thinking Through Making: A Panel Discussion
Cooper Hewitt, in collaboration with the DesignSingapore Council present an evening of conversation.
Image shows a wallpaper with interlocked drapery swags and lace border. Please scroll down for additional information on this piece.
Draping the Walls
I wanted to share this unusual trompe l’oeil drapery wallpaper, where a length of fabric swags slightly then twists around another fabric swag, creating a diaper or trellis-like pattern. The fabric is adorned with a lace trim and tassels made of strung pearls. The bottom section of this panel is a wide border that shows...
Image features a magazine cover consisting of a black and white photograph of Howard Stern with three large superimposed red blocks containing slanted white text in Futura Bold forming the phrase, “I hate myself,” with a smaller block below adding, “and you love me for it.” “Esquire” is printed in red along the top of the design. Printed in red blocks, also with Futura Bold slanted white text, upper left: Shocking but True! / HOWARD STERN / BLITZES AMERICA / By Barbara Kruger. Please scroll down to read the blog post about this object.
Conceptualizing a Cultural Icon
Known for her bold engagement with popular culture and mass communication, American conceptual artist Barbara Kruger provokes and entices the viewer with her cover design for the May 1992 issue of Esquire. Featuring a close-up, black and white photograph of the controversial shock-jock Howard Stern, the superimposed text obscures significant portions of his face, excluding...
Image features a lamp with a three-tiered shade composed of three stacked glass circles of graduated sizes, all on a simple dark brown metal base consisting of a vertical rod on a circular foot. The lamp is topped by a circular dark metal screw-on cap. Please scroll down to read the blog post about this object.
A New Form for a New Technology
Danish architect and designer Poul Henningsen’s interest in light and lighting started at a young age when as a child in the 1900s, he observed the sharp glare from fixtures housing bare electric bulbs in his family home. Electric lighting was new, and older lighting devices, such as candlesticks or gas lamps, were being adapted...
Image features: Long-sleeved, knee-length, reversible coat in needle-punched felt made from recycled sweaters. One side is a dark irregular plaid of blacks and blues, the other a patchwork of blue-tone knit fabrics. Please scroll down to read the blog post about this object.
ReMade
As part of Eileen Fisher’s numerous sustainability efforts, the company committed to taking back used Eileen Fisher garments from its customers. Since 2009, with almost no promotion of the initiative, over 600,000 garments were returned. About 40% are still usable; they are cleaned and repaired in the company’s recycling centers in Irvington, NY and Seattle...
Image from a panel discussion at Cooper Hewitt. Three women sit on a stage, holding microphones.
Nature Salons: Materials of the Anthropocene
Designers Shahar Livne and Charlotte McCurdy in conversation with Caitlin Condell, Associate Curator and Head of Drawings, Prints & Graphic Design. Join us for a discussion exploring the ways in which designers consider the abundance of materials available to them in the 21st century. As the boundary between ‘synthetic’ and ‘natural’ materials becomes increasingly blurry,...
Image of panelists on the stage at Cooper Hewitt, from Ensamble Studios and from Cave architects. The people on the left are in a black suit and vibrant blue woman's suit coat. The two no the right wear colorful African/Kenyan dress, in royal blue and orange patterned.
Nature Salons: Nature of Architecture
Designers from Ensamble Studio and CAVE Bureau in conversation with Matilda McQuaid, Deputy Curatorial Director.
image from Cooper Hewitt triennial nature salon panel discussion with Curator Andrea Lipps
Nature Salons: Encouraging Growth
Talk on What role does biological growth play in 21st-century design?
COCKTAILS AT COOPER HEWITT RETURNS FOR ANOTHER STANDOUT SEASON
Cooper Hewitt, Smithsonian Design Museum’s popular summer performance series, Cocktails at Cooper Hewitt, returns to the Arthur Ross Terrace and Garden. On Thursday evenings from June 13 to Aug. 15, live music, DJ sets and dance performances will activate one of the largest enclosed museum gardens in New York City. A launch party for the...
Image features a wallpaper ceiling border containing a water mill and cat tails. Please scroll down to read the blog post about this object.
Looking Up to Landscapes
If you’ve ever thought it might be nice to be a fly on the wall, think about the fun you could have with a bird’s eye view from the ceiling. You could be part of the beautiful ceiling decoration that was so fashionable during the Gilded Age. Today’s wallpaper would have been part of that...
This image features monkeys with sheet music, playing instruments and drinking wine. Please scroll down to read the blog post about this object.
Monkey Business, French Style
Monkeys have been a symbol in world cultures for thousands of years, representing qualities ranging from fertility, to evil, lust and wisdom. The negative image that the monkey had in Western culture gradually changed in the 17th century when monkeys were used as symbols to satirize human behavior in Flemish genre painting. This visual art...