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Designing for Modern Faith
Trude Guermonprez adapted modernist design techniques to objects of spiritual contemplation.
Behind the Design: The Dorothy Liebes Papers
How can an archive draw a map through a nearly forgotten designer’s four-decade long career? How can an 8 x 10 inch fabric swatch embody a design era, from material choices to color palette? What role can invoices and order books play in filling in key gaps and bringing that era to life? Designer Dorothy...
Image features: Three white-on-white patterned textiles sewn together, each having four selvages. The two outer textiles are patterned with stripes of geometric shapes including a bird. The center is patterned with zigzag bands, one above the other, to form an elongated diamond shape. Head opening is uncut. Please scroll down to read the blog post about this image.
Translucent Cloth
September is New York Textile Month, a citywide celebration of textile creativity. As in past years, the museum is collaborating with the Textile Society of America. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles worldwide....
Weaving Wonders of Richard Landis
American weaver Richard Landis’s works are characterized by complex design systems that echo the logic of their construction with a limited vocabulary of materials, texture, geometric forms, and colors. From his earliest days at the loom, Landis decided he would work only in plain weave and within the opportunities offered by handwoven, loom-controlled design. He...
Lenore’s “Woven Forms”
Author: Robin Haller In celebration of the fourth annual New York Textile Month, members of the Textile Society of America will author Object of the Day for the month of September. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination...
Creative Reuse
Author: Kate Irvin In celebration of the fourth annual New York Textile Month, members of the Textile Society of America will author Object of the Day for the month of September. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination...
Fragment of the Cahuachi Great Cloth
Author: Elena Phipps In celebration of the fourth annual New York Textile Month, members of the Textile Society of America will author Object of the Day for the month of September. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination...
Warp and Weft with Richard Landis
Author: Maleyne Syracuse In celebration of the fourth annual New York Textile Month, members of the Textile Society of America will author Object of the Day for the month of September. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination...
A white four-sided selvage textile loosely woven with striped pattern on the bottom half. Please scroll down to read the blog post about this object.
Hitomi I
Sheila Hicks is one of the most important living artists today, who has chosen fiber as her primary medium. The museum is fortunate enough to have over sixty works spanning more than fifty years of her career, including textiles for commercial production as well as the intimate woven miniatures or Minimes she creates on her...
Images features: Field of 972 mosaic squares in different shades of blue and metallic with natural color palm fiber complementing the indigo and metallic and partially forming the frame of the mosaic. Please scroll down to read the blog post about this object.
Nebula
Venezuelan textile artists, Mariá Dávila and Eduardo Portillo describe their work as “driven by our relationship with our surroundings and how it can be communicated within a contemporary textile language.” Their hometown is Mérida, deep in the Andes Mountains, and like archaeologists they have been exploring this countryside for years, finding traces of human life...
Image of Richard Landis pointing at his weavings
Color Decoded: Richard Landis Extended Interview
Extended interview with Richard Landis was recorded in January, 2018, in his home studio in Prescott, Arizona.
Image of Richard Landis, a silver haired man wearing a white and blue checkered shirt, in his studio.
Color Decoded: Richard Landis’s Inspiration
Landis describes his inspiration for becoming a weaver and his process as a maker. 
Diasporic Design
Author: Diedrick Brackens September is New York Textile Month! In celebration, members of the Textile Society of America will author Object of the Day for the month. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles...
Motley Birds
Author: Desiree Koslin September is New York Textile Month! In celebration, members of the Textile Society of America will author Object of the Day for the month. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles...
Weaving the Extraordinary Out of the Ordinary
Vermelha, Portuguese for “red”, comes from the Latin vermiculus, or “little worm”, in reference to the Kermes vermilio, a scale insect used to make the color crimson. This is the source of the Vermelha Chair’s name, a vibrant, brightening shade of red that is both jarring and mesmerizing. Designed by Brazilian designers – and brothers...