Image features: Large wrapping cloth made from sheets of paper from account ledgers, glued together and stained with persimmon, giving a brownish color except where later patched with lighter colored papers. Writing still evident on sheets. Please scroll down to read the blog post about this object
Only Seeing 
September is New York Textile Month, a citywide celebration of textile creativity. As in past years, the museum is collaborating with the Textile Society of America. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles worldwide....
Image features: Samples of yarns dyed by members of the Society, affixed to the backs of admission tickets to the Annual Exhibition of 1908. Recipes for some colors are written below. Please scroll down to read the blog post about this object.
Preserving Knowledge, Preserving Color
September is New York Textile Month, a citywide celebration of textile creativity. As in past years, the museum is collaborating with the Textile Society of America. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles worldwide....
Image features a drawing of a young girl sitting on a bentwood caned chair in front of a table holding and sewing a piece of cloth. Please scroll down to read the blog post about this object.
Mary Hallock Foote: A Summer on Long Island
Author: Ava Hathaway Hacker By the end of her artistic career, Mary Hallock Foote was one of the most recognized illustrators of life in the American West. Often focusing on images of women and children, her illustrations provided a vision of the West not simply as a rugged frontier but as a place where families...
Image features: Printed length in a design of uneven vertical stripes with overlapping small oval leaf or bead shapes in strong reds, orange, blue, mauve and yellow. Please scroll down to read the blog post about this image.
Althea McNish: An Exceptional Talent
As part of the African-Caribbean diaspora of the mid-twentieth century, textile designer Althea McNish had a lasting impact on British design over the course of her career . Born in Port of Spain, Trinidad, she studied painting and worked as a cartographer and illustrator for the British government there. [1] In 1951, she and her mother left the island to...
Image features a lighting catalogue page showing hanging lamps with large glass shades in various shapes and colors, all on a black background. Please scroll down to read the blog post about this object.
Uplighting, Deco Style
A version of this post was originally published on June 2, 2016. Two rare Art Deco period catalogues in the collection of the Cooper Hewitt Design Library include illustrations with accompanying specifications and prices for more than 100 glass lighting fixtures manufactured in about 1930, by Meissner Glasraffinerie of Dresden, Germany. The factory was located...
Image features a low table consisting of a triangular top on two angled, panel-form legs tapering to small feet, the entire form covered in dark brown patinated copper. Please scroll down to read the blog post about this object.
Designed for the Wright Price
Clad in copper, this odd, angular table was designed by the American architect, Frank Lloyd Wright. It was part of a suite of furniture and built-in features Wright created in 1956 for Price Tower, a skyscraper the architect built in the small town of Bartlesville, Oklahoma.[1] The building was commissioned by Harold C. Price to...
Image features a rectangular panel of wallpaper showing stylized branches and foliage interspersed with cubist motifs printed in green, black, burgundy, tan, yellow, gray and metallic gold on mottled tan ground. The paper is embossed with very fine horizontal wavy lines. Please scroll down to read the blog post about this object.
Charles Burchfield’s Modern Wallpaper
This post was originally published on June 1, 2016. Charles Burchfield is one of the best known American watercolorists of the twentieth century, painting urban street scenes as well as more rural landscapes in a rather sullen fashion. It is less well known that he designed wallpaper, working for the M. H. Birge and Sons...
Image features: Dense configuration of dark brown lines has overlapping yellow and red lines creating rectangular groupings on a white ground. Please scroll down to read the blog post about this object.
Glen Plaid
“One of the most promising newcomers in the highly competitive field of fabric design is a youthful, multi-talented New Yorker, Joel Robinson,” Ebony magazine proclaimed in 1952.[1] Robinson’s printed fabric Ovals had been shown that winter in The Museum of Modern Art’s 1951 Good Design exhibition, making him the first African American to be included...
Image features the cream-colored cover of the 1929 UAM catalog, showing the capital letters UAM in black and cream-white, aligned vertically and horizontally and superimposed on a large red circle. Please scroll down to read the blog post about this object.
Modernism Evolving
The UAM Catalogue is one of many period resources in the Cooper Hewitt, Smithsonian Design Library that chronicle French Art Deco and the shift into modernism in the twentieth century. The UAM (Union des Artistes Modernes) was founded in May, 1929, by a group of French designers, decorators, and architects, led by Robert Mallet-Stevens, who were...