This coffee maker was devised by chemist and inventor, Dr. Peter Schlumbohm, for the Chemex® Corporation. It is made of heat-resistant non-porous borosilicate glass, and surrounded by a wood collar tied with a leather thong, that serves as an insulated handle with which to pour the hot beverage. The ingenious use of glass allows the...

Paula Scher’s identity for New York’s Public Theater has become the ne plus ultra of graphic design. When it was created in 1994, no one had ever seen anything quite like it. With its bold red and black typography, the logo combined letters of different sizes, weights, and spacing, running vertically down the side of...

Cooper Hewitt is fortunate to have in its collection two quilts made by close relatives: Caroline Hammond Reed and her daughter-in-law, Frances Kingsley Reed, from Anderson, South Carolina. Both quilts were donated by Helen Allen Stanbury, a New Yorker who was a native of Anderson. Frances Kingsley Reed (1845–1902), wife of Caroline Hammond Reed’s son...

Read the introduction to the exhibition book for The Senses: Design Beyond Vision.

In a 1929 article for The Studio, Charlotte Perriand, the designer of this stool, wrote polemically about the advantages of using metal over wood, noting its utilitarian and aesthetic value. She said, “Metal plays the same part in furniture as cement has done in architecture. It is a Revolution.”[1] Her now-iconic B306 chaise longue made...

On last month’s Short Story, curator Sarah Coffin paraded us through the Gilded Age decadence that led to a substantial gift of decorative arts to Cooper Hewitt’s collection from Annie Schermerhorn Kane. Bells for a Royal Wedding in London will ring in a few weeks. We hope you enjoy our short story on two beautiful...

The identity of the sitter for this composition remains unknown. However, subtle details of the subject’s facial expression accentuate a sense of introspection and melancholy. Distinct contours of the jaw and cheek bones, lips, nose, and eyes were first drawn in graphite. Soft tones of cream and white paint (of varying consistencies and amounts) developed...

This beautiful sidewall was one of several designed by Kate Faulkner in the 1880s for the wallpaper company Jeffrey & Co. A member of the Arts and Crafts Movement, her pattern reflects the movement’s interest in simple yet pleasing color schemes and motifs drawn from native British wildflowers. These qualities are also typical of Faulkner’s...

In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Tsugihagi was designed by Reiko Sudo, one of Japan’s most important contemporary textile designers. Educated at Musashino Art University, she and Junichi Arai (Japanese, 1932–2017) were the co-founders in 1984 of the Japanese company and store, NUNO,...