cooper hewitt blog
Written by Jasmine Keegan The United Nations has designated 2022 the International Year of Glass. Cooper Hewitt is celebrating the occasion with a yearlong series of posts focused on the medium of glass and museum conservation. Dutch glass artisans reached high levels of skill in ornamentation during the 18th century, as demonstrated in these beautifully decorated...
Althea McNish (1924–2020) was one of the first Black women designers to receive international recognition for her achievements in design. Her textile Golden Harvest marks the beginning of a remarkable career for an under-recognized pioneer of 20th-century textile design.
We’ve written before about Cooper Hewitt’s first acquisition of an iOS app, Planetary: first Seb Chan and Aaron Cope described their unique and unusual way of “collecting” the app in 2014, and then we wrote about why Planetary was no longer functioning in 2019. In 2020, however, software developer Kemal Enver remastered the work and...
This article was written by educator and experience designer, Caitlin Krause as part of a series of Design Retrospectives on the prototypes commissioned by Cooper Hewitt’s Interaction Lab for the Activating Smithsonian Open Access Challenge. When ScienceVR co-founders Yen-Ling Kuo, Jackie Lee, and I began to approach the design process for the Activating Smithsonian Open...
Start the 2022 Year of Glass with a modern glassmaker inspired by ancient Roman models.
Written by Julia Carabatsos Featured image: Face mask, Philando Castile, 2020; Designed by Naomi Osaka; Gift of Naomi Osaka, Cooper Hewitt Responsive Collecting Initiative; Photograph: Al Bello/Getty Images A grey sphere with red spikes: by now, we immediately recognize this form as an image of the coronavirus that causes COVID-19. The ubiquitous illustration—created by Alissa...
For nearly twenty years between the two world wars, E. McKnight Kauffer, an American, was the most celebrated graphic designer in England. He was best known for his eye-catching posters, but his book covers and illustrations, graphic identities, carpets, stage sets, costumes, and ephemera were also among the most arresting of his era. Kauffer believed fervently that modern art should move beyond the walls of museums and galleries to infiltrate all elements of daily life.
This article was written by Jono Brandel, new media artist and team lead for Writing with Open Access. It is the first in a series of Design Retrospectives on the prototypes commissioned by Cooper Hewitt’s Interaction Lab as part of Activating Smithsonian Open Access in Spring of 2021. Introduction It was a series of interviews...
