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Cara McCarty, an elegant woman with a fair complexion and wind-swept silver hair, gazes thoughtfully into the distance while standing in the Cooper Hewitt Terrace. She is wearing a light blue blouse and a long silver necklace.
Cara McCarty, Curator: An Astonishing Career
This appraisal of  Cara McCarty was contributed by Andrea Lipps, Associate Curator of Contemporary Design Cara McCarty is a curator, lecturer, and writer on modern and contemporary design. Celebrated for her multidisciplinary approach to design, McCarty began her curatorial career in 1980 at the Museum of Modern Art (MoMA) where she held several curatorial positions....
Image features iron with clear glass housing encasing blue emulsion-covered body, with glass handle and metal sole plate; plastic and metal control knob below handle; power cord at rear. Please scroll down read more about this object.
Iron, Meet Glass
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. This post was originally published on July 26, 2015. The postwar design era focused largely on improving all aspects of life at home for those who had...
Everything That Glitters is Not Gold
This week’s entries are dedicated to objects featured in the exhibition Thom Browne Selects, currently on view at Cooper Hewitt through October 23, 2016. Jim Dine’s impressive career started not long after he had graduated from Ohio University with a BFA in 1957. After making the move to New York in 1959, Dine collaborated with...
Design Within Reach
The Cooper Hewitt’s American Chatelaine (ca. 1860) may seem like a completely foreign object at first glance but upon further study, it is more familiar than it might seem. If we look at the history of chatelaines we see that they are part of an archetype of tools to carry on one’s person that is...
A Loom[ing] Controversy
In the center of his handkerchief is a portrait of Marie Louis Jacquard (1752-1834), inventor of the jacquard loom. Patented in 1804, the loom included a punch-card mechanism for controlling the action of the warp, greatly simplifying the production of complex fabrics and revolutionizing the French silk industry, symbolized by the caterpillars and cocoons nestled...
Getting a Grip on User-Inspired Design
Peeling potatoes is tedious enough without having to do battle with ill-designed kitchen gadgets. Why hadn’t these objects evolved to accommodate users, rather than the other way around? Sam Farber found himself wondering just that when he noticed his wife Betsey, who suffered from arthritis in her hands, struggling to use an old-fashioned peeler. Farber...
Iron, Meet Glass
The postwar design era focused largely on improving all aspects of life at home for those who had maintained it during the war and those who were just returning. The remodeled electric iron was one among many postwar innovations, but this Silver Streak iron in particular epitomizes the design period. The Silver Streak’s aerodynamic form...
Big and Bigger: Designing for Scale
Cooper Hewitt curator Matilda McQuaid moderates a panel discussion about the role tools play in large-scale projects. Panelists including Paul Ceruzzi of the National Air & Space Museum, William Goodrich of the Metropolitan Transportation Authority, and Chuck Hoberman, artist, engineer, and inventor of folding and transforming structures, provide insight into how we use powerful tools...
Highlights from Solar Wall
The Solar Wall is featured in Tools: Extending Our Reach, on view from 12.12.2014 to 5.25.2015. Video display of the Sun’s surface from the Atmospheric Imaging Assembly aboard NASA’s Solar Dynamics Observatory (SDO); Satellite launch date: February 11, 2010. Courtesy of Harvard-Smithsonian Center for Astrophysics.