Sweden

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Image features a globular, clear colorless glass vase with a short, narrow cylindrical neck. Please scroll down to read the blog post about this object.
Ingeborg Lundin’s Renowned “Apple”
For the nearly thirty years between 1947 and 1971, that Ingeborg Lundin designed glassware for Sweden’s Orrefors glassworks, her designs were  prized for their originality, simplicity and grace. Founded in 1898, Orrefors originally manufactured bottles, window glass, and tableware. In 1914, the firm started to produce cut crystal, and by 1925 had become internationally renowned...
Image features vessel with longated conical shaped bowl; bowl has engraved decoration of female figure sitting on ruffled banner, scalloped ornamental bands at top and bottom and stars spaced throughout. Tall, thin six-sided stem with small notches on corners. Flat circular foot with ornamental bands that match bowl. Lid tapers to tall six-sided notched finial with knop. Please scroll down to read the blog post about this object.
Swedish Grace in Glass
This tall glass covered vessel was designed in 1923, by Edward Hald, artistic director of the Orrefors glassworks in Sweden. It features engraved decoration of a female figure seated on a fluttering banner, amid a field of stars bordered by scalloped bands. The delicate star and band motifs are carried through in the vessel’s tapered cover...
Swedish Folklore and Industrial Design
The mermaid, a creature formed from the upper body of a woman and the tail of a fish, has long been a legendary figure in folklore. From animated films to the sea creatures of sailor lore, the mermaid has been the subject of speculation and admiration. This green-glazed bowl with silver trim designed by Wilhelm...
Straight-sided, tapering circular cup (a) with glazed decoration consisting of series of narrow black vertical wedges on white ground; black along edge of rim; white loop handle and white interior. Circular saucer (b) with upraised rim and same tapering black decoration on white ground; black at rim; white underside.
Embracing Design’s Wild Side
In calculated contrast, sharp black wedges streak mathematically across a white ground. The black and white stripes that line Eugen Trost’s Zebra cup and saucer accentuate its tapered, circular form just as cleanly as they denote the wild zebra, from which it takes its name. These stripes, however, are hand painted. The Gefle Porcelinsfabrik in...
Three tiers of fountains of glass descend from the top, set off by swags of glass drops, the blown glass stems delicately engraved; gilt lower ring with six candle arms and an upper ring connected by the glass-surrounded stem and by three chains, all of metal, the lower ring supporting a blue glass disc at the base of the stem.
The Neoclassical North
This three tiered chandelier in the form of a cascading fountain is garlanded with swags of cut glass drops. Three delicately blown baluster-shaped pieces of cobalt glass are linked by chains of gilt metal. The reserved neoclassical form and use of blue glass strongly indicate that the chandelier was made during the last quarter of the eighteenth century in...
Designboost at Cooper-Hewitt
David Carlson and Peer Eriksson introduce the Designboost event Back in February, I blogged about the Designboost Web site, likening it to a periodic table of design knowledge. This time, Peer Eriksson and David Carlson were here at Cooper-Hewitt, National Design Museum to run the first BoostEvent in the United States. The theme was “Design...
Designing Media: Hans Rosling with Ola Rosling and Ana Rosling Rönnlund
One of 31 video segments featured in 'Designing Media', the new book, DVD and website by Bill Moggridge. More info on 'Designing Media' available at http://www.designing-media.com Hans is a professor of international health in Stockholm, Sweden. He spent two decades studying outbreaks of disease in remote rural areas across Africa. In 2005 he cofounded the...