The bubble-like contours and dangling pieces of glass of this bowl are cartoonish and playful. The Efira Bowl was designed by Ettore Sottsass in 1986 for the important collective, Memphis, which he had founded five years earlier.[1] The bowl is a wonderful example of the objects produced by Memphis, which have been held up as...
Revealing the importance between Pop Art and design, Cesare Casati and Emanuele Ponzio’s Pillola lamps designed in 1968, are representative of Italy’s anti-design movement of the mid-1960s and 1970s. Challenging notions of “good design,” the anti-design movement took its cues from Pop Art’s use of bright colors and banal subject matter. The Pillola lights culturally...
The colors of the rainbow are captured in this ring by Francisco Rebajes, highlighting the luminescence that naturally occurs in abalone shell and pearls. This adornment for the hand is composed of an adjustable silver band featuring a lustrous mass of shell from the abalone, a type of sea snail, combined with a baroque pearl...
In 1955 General Electric released a line of kitchen appliances available in what they called “mix-and-match colors.” From canary yellow dishwashers to cadet blue refrigerators, one could construct an entire kitchen with G.E.’s colorful products. A two-page spread in Better Homes and Gardens from 1956 explained how one could entirely modernize his or her kitchen...
Writing about an object designed for al fresco dining could not be a better way to tempt the weather gods to bring on the return of spring. This object of the day is ‘Plack’, a picnic tray designed by Jean-Pierre Vitrac, and produced by Diam in 1977. In contrast to indifferently designed plastic picnic ware...
Author: Zenia Malmer To the modern eye, this 19th century teapot, made by Edwin James Drew Bodley, who was in charge of an English china and earthenware manufacturer in Staffordshire, might border on kitsch. The spout, handle and edges are decorated with moulded bamboo stalks, with gilding to accentuate their nodes. Bright pink panels feature...
This bowl sends a colorful optical jolt by balancing complementary hues; the red-orange of the exterior against the turquoise of the interior. The interplay of the warm red-orange and the cool turquoise results in visual excitement as the eye shifts back and forth between the two. Adding to the interplay is the juxtaposition of the two...
Author: Rachel Pool Purpurnelke (Purple Pink) is a textile design made from cut paper and gouache. It features entangled grapevines set amongst boldly-colored flowers that resemble Japanese fans, combined in a striking pattern indicative of non-Western influence. The designer Felice Rix-Ueno (Austrian, 1893–1967) created the blossoming flowers and their straight stems from cut paper; the...
From the archives, an Object of the Day post on an example of iridescent design from the collection.
Today’s blog post was originally published on June 18, 2013. In 1970, Steven Frykholm was working as the in-house graphic designer for the furniture manufacturer Herman Miller, Inc., when a company vice-president stopped by his desk. Every summer, the VP said, Herman Miller hosted a company picnic. Perhaps Frykholm would make up a poster for the...
This urn-shaped vase represents important historic glass making techniques whose possibilities were expanded during the revival of glass production in late 19th-century Venice. The form features two spectacular variations of glass for the viewer to enjoy and ponder. At first glance, the most eye-catching feature is the inner layer of avventurina (also known as aventurine), the metallic copper-toned...
Sample plates are produced by manufacturers of ceramic tableware as a means of demonstrating the colors with which items, usually in a particular product line, could be glazed. Sample plates provide insight into the colors—and, in some cases, decorative patterns—that were available and popular at particular moments in time. The Cooper Hewitt collection includes several...
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. This post was originally published on July 26, 2015. The postwar design era focused largely on improving all aspects of life at home for those who had...
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. This vase by Anzolo Fuga, was created using clear glass (cristallo) which was decorated with vertical rods of opaque white glass (lattimo) and multi-colored murrine. Murrine are colored...
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. This post was originally published on January 1, 2013. Murano, an island located just north of Venice, Italy, in the Laguna Veneta, has been a glass-making center since...
