Two rare Art Deco period catalogues, newly acquired by the CHM library, include illustrations with accompanying specifications and cost for more than 100 glass lighting fixtures manufactured by Meissner Glasraffinerie of Dresden dating circa 1930. Their factory was located at Coswig on the river Elbe situated between Meissen and Dresden, Germany. Not much is recorded...
Whether you call it a dressing table or a vanity, during the 1930s and 1940s this furniture form expressed the glamour and mystique of femininity. A woman sitting at her vanity—preparing to go out or to entertain in her home—connotes the vanity’s cultural associations with beauty, self-image, and preparation. Designed by Gilbert Rohde for Herman...
In celebration of Women’s History Month, Cooper Hewitt is dedicating select Object of the Day entries to the work of women designers in our collection. A pioneer of graphic design in New York City, Louise Fili is known for stylized, retro-inspired work that strongly favors Art Deco motifs. Her work is lauded for its creative...
Written by Joseph McPartlin There are many ways you can look at the modern world. Do you take a pessimistic or optimistic view? John Vassos questions his view of modernity in his 1931 illustrated book, Phobia. He uses “optimistic” Art Deco forms to convey twenty-three phobias as a “pessimistic” look into the modern world. John...
It is no coincidence that many of Lurelle Van Arsdale Guild’s 1930’s designs for aluminum tableware reflect his honed knowledge of traditional forms and ornament. Before becoming one of America’s top industrial designers of the early to mid-twentieth century, Guild was an antique furniture dealer and throughout his entire life, a collector and connoisseur of...
Ruth Gerth’s 1931 “Glow Lamp” for Chase Brass and Copper Company is a gleaming example of American modernism with a bit of a dirty secret. The conical shade is topped by a globular finial and clips on to an incandescent bulb, nestled into its fitting atop a spherical base with a horizontal band running around...
The Model 4083A clock made its debut at the 1933 A Century of Progress Chicago World’s Fair. Designed by Gilbert Rohde and manufactured by the Herman Miller Clock Company, a division of the Herman Miller Furniture Company, this sleek circular clock was one of seven modernist clocks designed by Rohde that were on display in...
This sweet little glass bowl evokes the shining, art deco optimism of the 1930s. Designed by Jean Luce and exhibited at the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne, it speaks to the period’s interest in democratic materials and tells a story of increasing simplicity of form and decoration in design....
New York City Art Deco forerunner Ely Jacques Kahn (1884-1972) would have been nothing if it weren’t for the few formative years spent at Paris’ hallowed École nationale supérieure des Beaux Arts (National Superior School of Fine Arts); from 1908-1911. Contributing to Midtown Manhattan’s 1910 to 1930 building boom, the architect conceived more than a...
