Art Deco

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Bring it to the Table
The September 1934 issue of The Pottery Gazette and Glass Trade Review features a full-page color advertisement devoted to “Casino” by Royal Doulton. This modern shape debuted a few years earlier and came in three patterns: “Marquis,” “Radiance,” and “Envoy.” Pictured in the advertisement is the earthenware tureen seen here in the museum’s collection. Decorated...
The It Girl
On February 19, 1927, the film “It,” starring Clara Bow, was publicly released in the United States, instantly becoming a box office success and making Clara Bow Hollywood’s first “It girl.” Later that year, Elizabeth C. Quinlan, co-founder of the Young-Quinlan Co., a prestigious Minneapolis department store, visited Paris in search of her own “It...
A Piece of Cake
Covered with Franz von Zülow’s idiosyncratic decoration, this cake serving plate (part of a breakfast set in the Cooper Hewitt’s collection) demonstrates the Viennese artist and designer’s interest in fantasy and fairy tales. Knights on horseback move through a medieval village in the foreground, accompanied by a lively figure blowing a trumpet. The movement of...
The Modern Spirit
Introduced at the 1928 Pittsburgh Glass and Pottery Exhibit, designer Reuben Haley’s Ruba Rombic forms epitomize the geometric style and ideals of American Art Deco. The Art Deco style, popularized by the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, which likely also inspired Haley, is often characterized by jagged lines and...
Extravagant Interior by Tommi Parzinger
I was lucky enough to have lived with Tommi (Anton) Parzinger furniture as a teenager. I was raised in a modern house, and my mother worked with an interior designer who ordered several Parzinger pieces, a brass-studded sideboard, a brass chandelier and a coffee set. Today my sister has the sideboard and I have the...
Textile: "Falcon Hunt," by Herman A. Elsberg (American, 1869–1938)
The Collector as Designer
American textile designer and collector Herman A. Elsberg (American, 1869–1938) designed this eye-catching furnishing fabric in the early 1920s. It was hand woven on a Jacquard loom at Elsberg’s factory in Lyon, France. Gold gazelles leap under the watchful eyes of silver falcons on a brilliant green ground scattered with clusters of leafless dark blue...
Modern Geometry
Who knew geometry could be so beautiful? This 1928 sugar bowl and creamer set epitomizes American modern design; yet, it is clearly influenced by the modern turn of European design from the same period, as evidenced by the Exposition internationale des Arts décoratifs et industriels modernes in Paris, 1925, as well as by Walter Gropius’...
An early metal toaster in a diamond shape with a visible heating elements and metal frames to hold the toast on either side. Roughly rectangular cast metal base with small decorative floral designs near the feet; two cylindrical buttons on one side. Small pendant knobs on opposite sides of toaster.
Sweetheart Toaster
Landers Frary & Clark was one of the first American companies to manufacture electrical home appliances: in 1908 they introduced an electric coffee percolator and 1912 saw the release of an electric iron. These new products added to the company’s line of household products that they had marketed since the 1890s under the trade name...
Narrow, rectilinear stapler with curved hand grips; sides decorated with overall geometric black and white enameled pattern.
Juwel for a Tool
The design for this stapler was patented in the United States in 1934 by Fridolin Polzer who was at the time working for E.H. Hotchkiss Company, a leading manufacturer of stapling machines, based in Norwalk, Connecticut. In Japanese, the word for “stapler” is “hotchikisu” after the E.H. Hotchkiss Company, which first shipped staplers to Japan...