graphic design

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Okay, Bye
Graphic designer and visual artist Geoff McFetridge created this striking poster in 2015 to advertise the play “Okay, Bye” performed by the Steppenwolf Theatre Company in Chicago, Illinois. As with many of McFetridge’s designs, the poster uses bold colors and simple forms to communicate a visual riddle. Two pairs of black shoes distinguish the owners...
The Invisible City
In 1972, The International Design Conference in Aspen (IDCA) appointed the architect Richard Saul Wurman as the program chairman for its annual symposium. As chairman, Wurman was responsible for choosing the conference’s theme and proposing the various programs, exhibitions, and discussion sessions. Wurman decided to depart from the IDCA’s standard exploration of practical design issues...
Your Turn, My Turn
The idiosyncratic graphic designer April Greiman designed the poster Your Turn, My Turn for a 1983 symposium in Los Angeles, California. The conference aimed to discuss the roles of artists, designers, and architects within the field of design and possibilities for multidisciplinary collaboration.[1] In deference to the conference’s ambitions, Greiman embraces innovation and freedom in...
Gatsby’s Return
This 1947 book cover for The Great Gatsby was designed by Alvin Lustig (American 1915–1955) as part of the New Classics project. Initiated in 1939 by New Directions Publishing, the New Classics project created a series of cutting edge reprints of classic novels.  When F. Scott Fitzgerald’s novel was first published in 1925, it garnered...
Sketchbooks and the Power of Process
Designers of all varieties—architects, graphic designers, painters—are aware of the importance and utility of sketchbooks in the creative process. The blank canvas of a sketchbook page allows the design process to occur in real time and encourages documentation of ideas that might otherwise be fleeting. The significance of sketchbooks as part of the creative process...
A Modern Identity
This 1947 print by graphic designer Alvin Lustig presents an early logo design for the Hollywood animation production studio United Productions of America (UPA), founded in 1943 and primarily active through 1960. The graphic identity’s bold black circle with its vertical brown band embraces a simple and modern approach to portraying a classic film reel,...
Album Cover Creatures
The Talking Heads are depicted alongside mountains, animals, and bell towers on the cover of their 1985 release Little Creatures. Lead singer David Byrne is Atlas, holding the globe, while the other band members are behind him. Graphic designer Tibor Kalman used a painting by Georgian folk artist Howard Finster as the basis of the...
Fillmore Festivities
Posters produced in the 1970s for The Fillmore, the legendary San Francisco music venue made famous by industry pioneer Bill Graham, were renowned for their psychedelic styling. Between 1967 and 1971, Tea Lautrec Litho, a specialist printing house operated by Levon Mosgofian, produced over 200 posters advertising Graham’s constantly shifting roster of weekly performances. The...
A Bold Statement
Australian graphic designer Mark Gowing designed this poster to advertise the film Tyson, a documentary about the controversial and legendary boxer Mike Tyson. The critically-acclaimed film was directed by James Toback, and closely follows Tyson’s career and personal life through lengthy interviews and archival footage. For his poster design, Gowing adapted elements from the graphic...