neoclassicism

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Image features a drawing of an altar in a neoclassical style, with architectural plan. Please scroll down to read the blog post about this object.
A Surprise Victory for Robert Mylne
On September 23rd, 1758, an aspiring architect named Robert Mylne (1733 – 1811) wrote to his younger brother William (1734 – 1790) with astonishing news. At twenty-four years old, Robert had just become the first Briton awarded top prize in the Concorso Clementino, a famous architecture competition held every three years in Rome.[1] This drawing...
Image features tall, bright green symmetrical urn form of ovoid body with neck flaring into circular mouth, two angled handles at shoulder, and short circular foot. The nylon structure consisting of, rigid radiating and crossed strands that create both surface and interior patterns. Please scroll down to read the blog post about this object.
Historical Inspiration, Revolutionary Manufacturing
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. For more than 20 years, Michael Eden has been a professional potter, often working in a traditional slipware technique. In 2006, he enrolled in a...
The World of Yesteryear
Little is known about American architect Christian Francis Rosborg other than a few projects and drawings attributed to his name that rest in Cooper Hewitt’s collection. Trained early on under the mentorship of New York-based architects Ernest Flagg and Haydel & Shepard, the obscure figure was part of the early twentieth-century stylistic transition from French-influenced...
In a doorway flanked by columns stands a man in heavy dress. Above doorway, a bust in relief. Notations visible in ink.
Mysterious Stranger
Does the artist behind this drawing simply intend to represent a doorway, or rather use this as an elaborate pretext in creating a portrait of a mysterious figure? Such a question will undoubtedly remain unanswered. Through a seemingly simple combination of architectural elements surrounding a male figure, Barberi conveys something distinctly atmospheric. With cloak thrown...
Vase design with the lid in the shape of a tortoise
The Tortoise and the Vase
It may take a moment to figure out this eccentric vase design: is a tortoise sitting on a faceted plinth or are the two integrated into a single design? This eccentric print actually shows a vase, or an ewer with a lid shaped like a tortoise. Its mouth serves as the sprout, and its tail...
Ornament print showing 12 designs for a cup
Hot Chocolate, I Love You So
Hot chocolate has been a fashionable drink since the eighteenth century, and the popularization of the beverage also saw the rise of new designs related to its consumption and preparation. This ornament print by the French designer and printmaker Jean-Baptiste Fay shows twelve different designs for chocolate cups. Each cup is decorated with a diverse...
Design for an ewer featuring foliate scrolls and miniature nymphs
An Extravagant Ewer: Jean-Charles Delafosse’s Greek Style
This is a design for an ewer by the Parisian architect, designer, decorator and print maker, Jean-Charles Delafosse (1734-91). Delafosse engaged in diverse artistic productions producing urban planning proposals, architectural plans, furniture designs as well as drawings of ruin capriccios and allegorical and ornamental prints. His designs were widely circulated across France, England, and Germany...
Three tiers of fountains of glass descend from the top, set off by swags of glass drops, the blown glass stems delicately engraved; gilt lower ring with six candle arms and an upper ring connected by the glass-surrounded stem and by three chains, all of metal, the lower ring supporting a blue glass disc at the base of the stem.
The Neoclassical North
This three tiered chandelier in the form of a cascading fountain is garlanded with swags of cut glass drops. Three delicately blown baluster-shaped pieces of cobalt glass are linked by chains of gilt metal. The reserved neoclassical form and use of blue glass strongly indicate that the chandelier was made during the last quarter of the eighteenth century in...