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Image features a rectangular sheet with a variety of geometric patterns—rectangles, squares, triangles, and chevrons—in a muted palette of sandy pink, dusty beige, taupe, grey, and brown with isolated dots and small squares in white gouache and red wash. Please scroll down to read the blog post about this object.
Reorientation and Replication
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Adelgunde “Gunta” Stölzl was one of the most successful women designers connected with the Bauhaus, the school founded in 1919 by the German architect Walter Gropius. The mission of the Bauhaus was to integrate art, design, and craft...
Image features chaise in the form of a long, contoured, rectangular seat/back unit of woven strips on curved wood frame with four flat, angled and tapered legs. Please scroll down to read the blog post about this object.
Farm Fresh American Modernism
Edward Durell Stone, born in Arkansas in 1902, was an important proponent of the International Style in the United States, reconciling its crisp geometry and functionalism with American popular tastes. In the 1940s, however, his formalist aesthetic underwent a transformation following a cross-country tour that included visits to Frank Lloyd Wright’s Taliesin and Yellowstone National...
Hand-Beaten for Hand-Tossed Salad: Kalo Shop Salad Servers
Founded by Clara Barck Welles in 1900, the Kalo Shop was one of the most successful workshops of the Arts and Crafts movement. The name “Kalo” derives from the Greek word for beauty and the motto of the Kalo Shop was “Beautiful, Useful, and Enduring.”[1] The output of the Kalo Shop lived up to this...
From Mud Into Immortality
Upon his return from military service in Europe in 1919, Henry Varnum Poor settled in an artists’ community in New City, New York where he purchased land and began single-handedly building a home called Crow House, named after the local birds who kept him company while he worked. As a struggling painter Poor was always...
Life of a Jamdani
How textiles for saris are made and remade.
A Textile You Probably Shouldn’t Touch
Though Mary Walker Phillips is recognized as an American fiber artist responsible for elevating the crafts of knitting and macramé to the realm of fine art, she was first and foremost, a weaver – and a wonderful one at that. This sample from 1960 appears simultaneously structurally precarious and visually charming. It is composed of...
Practical, Spiritual, Useful, and Beautiful…
In celebration of Women’s History Month, Cooper Hewitt is dedicating select Object of the Day entries to the work of women designers in our collection. “We use materials to satisfy our practical needs and our spiritual ones as well. We have useful things and beautiful things – equipment and works of art.” [1] Artist, weaver,...
Bowled Over
Gertrud and Otto Natzler were leading figures of West Coast ceramic production in the mid-twentieth century. This bowl, as well as two other Natzler pieces, were donated by the granddaughter of the original owner, Friederich Rotter, who met the Natzlers in the 1930s through his Vienna-based home furnishings business and gallery, Der Wohnraum that sold...
Design By Hand | Ralph Rucci
Public Lecture: Join us as Ralph Rucci talks about his creative process, inspiration, and the role of the hand in his work. About the Design by Hand series: Launched in fall 2013 with the iconic Finnish brand Marimekko, the Design by Hand series focuses on the craftsmanship, innovations, and merits of contemporary global designers. Special...