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This poster for the exhibition “Impressions/Expressions: Black American Graphics” bears the title at top, with credit information below. A brightly colored image draws the eye at the center of the poster, a lithograph by the artist Margo Humphrey. A border of purple, red, and orange surrounds an abstracted scene, with a bright blue sky. A large yellow tiger, sketchily drawn, bears its teeth at the bottom of the frame, while a pair of figures float above, in embrace. Surrounding these figures, chili peppers, bananas, moons, and stars seem to rain from above,
First Impressions/Expressions Count
In October of 1979, an exhibition entitled Impressions/Expressions: Black American Graphics opened at the Studio Museum in Harlem. The show, associated with the second annual “Survival of the Black Artist” Fine Arts Festival, later traveled to Howard University—alma mater of the exhibition’s 26 year-old curator, Richard J. Powell.[1] The first survey of its kind, Impressions/Expressions...
Sheer Invention
Piranesi’s originality lay in his eclecticism. Pulling together influences from Egyptian, Etruscan, Ancient Roman, and Greek designs, Piranesi presented a hybrid design system that was rooted in his commitment to the stature and importance of the Roman design heritage. From this starting point, the architectural elements move from historical recreations to articulated fantasy. While his...