Louis Sullivan’s ornament can be appreciated on both a large scale—think Chicago’s Carson Pirie Scott building—and a small one—this cast iron doorplate. Having been removed from its original location during the mid-twentieth century, this doorplate is from Adler & Sullivan’s last commission, the Guaranty Building (now called the Prudential Building). The building became a National...
I find these hanging baskets rather a novel idea in home decoration. These are used in place of the wide friezes that became popular in the very late years of the nineteenth century. Wide friezes were printed on the paper in a horizontal fashion, which makes perfect sense as that is how they were hung....
Bruno Mauder (1877-1948), a designer of glass art, studied at the School of Applied Arts in Munich from 1899 to 1901 and in 1909, was appointed director of technical school for glass industry and wood carving in Zwiesel, Germany. For the next 40 years, Mauder worked as a glass designer in this area including the...
A lion and a hare are composed entirely of scrolling acanthus leaves in this late-seventeenth-century engraving. It is the fifth plate from a suite of six designs for gold ornament, entitled Neu-ersonnene Gold-Schmieds Grillen (New Designs for Ornaments in Gold). The acanthus motif, whose origins date to ancient Greece and Rome, was omnipresent in European...
These cubic cardboard ornaments are just the thing for an atomic holiday. Designed in 1956 by Van der Lanken and Lundquist and manufactured by Norse Craft, Inc., they were exhibited the next year at the 3rd annual American Package Design Competition held at Cooper Union and were subsequently given to the museum’s collection. A modern...
The phantasmal world of Dr. Christopher Dresser’s ornamentation delights both the eye and the imagination. Dating from 1875, this iron hallstand features all the quintessential elements of Dr. Dresser’s highly stylized ornament. The “spikey” floral and figural motifs—also recognizable in this illustration for two grotesque dado rails—and his angular interlaced arabesques are frequently used in...
Faux statues and architectural elements were standard production for French wallpaper manufacturers of the mid to late nineteenth century. In this ornamental paper panel commemorating a monument that commemorates a man, designers Dufour et Leroy have created a remarkably thorough copy of the Column of the Grande Armeé at the Place Vendôme in Paris. Work...
Art nouveau as both an architectural style and a style for any kind of ornament, permeated so much of European culture during the time period of 1890–1910. Fashion, graphic design, household furnishings and so many other everyday objects reflected this style – even your house keys were Art Nouveau! The Cooper-Hewitt Library has a large...
Tausend und ein Anfangsbuchstaben – One Thousand and One Initial Letters – is a rare book designed and illuminated by Owen Jones in 1864, eight years after Jones published his influential design sourcebook The Grammar of Ornament. While the Cooper Hewitt Smithsonian Design Library’s copy is in German, the book was also published in English...
