To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. This vase by Anzolo Fuga, was created using clear glass (cristallo) which was decorated with vertical rods of opaque white glass (lattimo) and multi-colored murrine. Murrine are colored...

To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. This post was originally published on January 1, 2013. Murano, an island located just north of Venice, Italy, in the Laguna Veneta, has been a glass-making center since...

This extraordinary chalice takes its inspiration from dragon-stem goblets made by the legendary Venetian glassworkers in the seventeenth century. In this example, also made in Venice but in the late nineteenth century by Salviati & Company, the dragons have been elevated to the body of the cup. Several remarkable glassworking techniques are on display in this object....

This striking drawing, titled Altar Mensa for the Borghese Chapel in the Santa Maria Maggiore, is by a lesser known but influential architect, Mario Asprucci the Younger.  Using water color paint to achieve vibrant illustrations of various, colored marbles and metals, Asprucci captures the architecture’s sumptuous materials and allegorical themes. The Borghese Chapel was originally...

In the late 1970s Rino Pirovano and Rino Boschet purchased a workshop outside of Milan from the widow of an artisan who had earned his living producing metal and plastic motorcycle and scooter components. In taking over the space, Pirovano and Boschet inherited an assortment of equipment used by the old artisan for his trade,...

In 1767 the French writer and critic, Denis Diderot expounded the ”poetics of ruins” writing, “a palace must be in ruins to evoke any interest.”[1] Diderot’s comments were directed toward paintings by the French artist Hubert Robert that often featured real and fantastical Italianate ruins. Such vogue for ruin paintings were inspired by sites frequented...

This print comes from Giovanni Battista Piranesi’s Diverse maniere d’adornare I cammini ed ogni altra parte degli edifizi, published in 1769. Piranesi created designs inspired by ancient Roman aesthetic principles, which adopted elements of Egyptian, Grecian, and Etruscan motifs until fully absorbing them as their own. In this work particularly, Piranesi included motifs straight from...

This desk is an example of the Italian interpretation of the Art Nouveau style, known as Stile Floreale. This desk model was exhibited by Carlo Zen, a Milanese furniture manufacturer, at the 1902 First International Exposition of Modern Decorative Arts, in Turin, Italy. The exhibition helped Italy to show the rest of the world that...

The Castellani jewelry firm (1814 – 1927) became known for its “Italian Archaeological jewelry,”[1] which consisted of copies and imitations of Roman, Greek, and Etruscan jewelry. The firm’s works in this style became especially popular starting in the 1850s due to a rise in nationalism as a result of efforts to unify Italy, though they...