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Image features a square teapot in pink with white and gilt angled bamboo edges. Triangular spout at corner opposite handle. Decorated with landscape view on one side. Please scroll down to read the blog post about this object.
A Victorian Teapot in Millenial Pink
Author: Zenia Malmer To the modern eye, this 19th century teapot, made by Edwin James Drew Bodley, who was in charge of an English china and earthenware manufacturer in Staffordshire, might border on kitsch. The spout, handle and edges are decorated with moulded bamboo stalks, with gilding to accentuate their nodes. Bright pink panels feature...
A Chinese Fantasy
This Object of the Day  celebrates one of many treasured objects given by Clare and Eugene V. Thaw to Cooper Hewitt, Smithsonian Design Museum.  It is republished here in memory of Eugene V. Thaw. Click on this link to read more about the Thaws and their gifts to Cooper Hewitt.    This room portrait is one of...
Behind the Scenes at Victoria’s House
This Object of the Day  celebrates one of many treasured objects given by Clare and Eugene V. Thaw to Cooper Hewitt, Smithsonian Design Museum.  It is republished here in memory of Eugene V. Thaw. Click on this link to read more about the Thaws and their gifts to Cooper Hewitt.    The second decade of the twenty-first...
Classicism, Consumerism and Tea
This distinctive tea urn takes the form of Atlas supporting the world. Its triangular base has openwork decoration and rests on three ball feet. The spherical urn is held aloft by the kneeling figure of Atlas, straining as he supports the globe on his shoulders. The surface is decorated with reliefs featuring four wreathed circular...
A Miniature Playhouse
Imaginative author Robert Louis Stevenson wrote in his 1884 essay, A Penny Plain and Twopence Coloured, “If you love art, folly, or the bright eyes of children, speed to Pollock’s…”[1] The toy theatre was a beloved pastime in 19th-century England that appealed to the creativity and craftsmanship of children and adults. Benjamin Pollock inherited his...
Length of printed cotton crepe with a teal blue ground and a wide central column made up of narrow horizontal rectangles in various shades of blue, green, yellow, white and gray; thin lines extend from the center to the edges of the fabric.
New Day
Often called “England’s Eamses,” Robin and Lucienne Day were a designing couple utterly committed to modernism. The unexpectedness and vitality of their postwar interior furnishings, particularly Lucienne’s pattern designs for textiles, carpets, wallcoverings, and dishware, shaped the look of modern England in the 1950s. Lucienne is rightfully famous for Calyx, the organic design inspired by the work...
4 Questions 4: Anab Jain
Anab Jain, founding partner of Superflux, discusses the influence of fantastical beliefs on her work, the structure of her business, and the designer's shifting role in 21st century "architectures of collaboration."