Jacqueline Groag was one of the United Kingdom’s most influential post-war textile designers. She began her career at the famed Wiener Werkstätte in Vienna before designing and producing hand-printed textiles for some of the top Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli, and Poiret. She was also one of only a few of the...
American jazz and popular dance tunes- for the foxtrot and other 1920’s and 30’s dances, dominated nightlife and entertainment in the movies and live performance.
The most iconic costume from the musical Hello, Dolly! pairs an elaborate, feathered headdress with a beaded, crimson gown, glamorizing the brash comedic timing of the show’s star. But the plot of the musical originates in a location that requires much humbler attire: a feed merchant’s outpost in Yonkers, New York. As such, the young...
Ryan Maloney, Directory of Education and Programming at the National Jazz Museum in Harlem, connects the themes found in The Jazz Age: American Style in the 1920s with the musical culture in Harlem at the time.
Rasch and Company is a West German wallpaper manufacturer known for producing papers designed by celebrated fine artists and designers. In 1929 they created a line of papers designed by the Bauhaus called simply “Bauhaus wallpapers.” Incredibly successful, the line never fully went out of print. In 1950, Rasch developed its Kunstler Tapeten “artists’ wallpaper”...
Dancer on Orange Ground is a poster designed by acclaimed graphic designer Paul Rand (American, 1914-1996) in 1939. The poster is taken from the March 1939 cover of Direction magazine, an avant-garde publication that Rand began contributing to that year. Rand is most widely known from his time as the art director of Esquire from...
A carnet de bal, or dance card, was a fashionable accessory often carried by women attending a formal dance to record the names of the gentlemen with whom she would dance over the course of the evening. Occasionally, the carnet de bal would be executed as a fan, allowing a lady to write down her...
Inspired by Paula Scher’s work for The Public Theater, the choreographer and dancer Eliot Feld first approached her about designing an identity for his dance company in 1997, when he decided to rename the company Ballet Tech. Scher designed an identity using a typographic family of slab serifs, overlaying the typography on top of photographs...
Dancers in outrageous costumes and masks mingle in a lavish interior. This finished drawing likely depicts a Parisian vauxhall, which were public entertainment spaces, often set in, or near, pleasure gardens. They were first popularized in seventeenth-century England, and became fashionable in France in the late 1760s with the construction of the Colisée (The French...
In 1931 when he designed this poster, the Swiss artist, designer, and architect Max Bill had already completed several years of study at the Bauhaus under the guidance of artistic luminaries Oskar Schlemmer, Paul Klee, and Wassily Kandinsky. Bill had returned to Switzerland in 1929, and it was while living in Zürich that he received...
The Lindy Hop was a swing dance phenomenon, but the Finnish Hop? This lively design was produced by the artists’ collective know as The Folly Cove Designers, for its location near Gloucester on the Massachusetts coast. Many Finnish immigrants had settled there, attracted by skilled work in the granite quarries or the boat building industry....
This is the first interview in Chapter 3 in my new book, Designing Media Jorge Just, December 2008 While studying history and political science, Jorge fell in love with the public radio program This American Life, so he taught himself to edit audio, moved to Chicago, and applied for an internship with the program. Ira...
