HiFi Pursuit Listening Room Dream No. 3 features a large-scale, handmade audio system by multi-disciplinary artist Devon Turnbull. Known under his creative pseudonym OJAS, Turnbull handcrafts high-fidelity audio systems designed to envelop the listener in sound that is as rich in texture as it is in emotion.

Upon entering, visitors will experience realistic, natural sound from Turnbull’s sculptures and a chance to slow down and engage deeply with sound.

The listening room is part of the forthcoming Art of Noise exhibition (opening February 13, 2026).

programming and hours

The listening room will be programmed daily and activated throughout the run of the exhibition with either special live operator appearances or genre specific playlists. Turnbull, along with noted music collectors, archivists, audiophiles, and musicians from the New York area and beyond, will operate the live sonic experiences Tuesdays, Thursdays and Saturdays, 1 p.m. to 4 p.m.

Outside of the live operator appearances, visitors are invited to listen to playlists selected by Turnbull. This winter, the playlists will rotate daily with the following offerings: Mondays, classical; Tuesdays, genre mix; Wednesdays, ambient; Thursdays, genre mix; Fridays, jazz; Saturdays, genre mix; and Sundays, genre mix.

ABOUT DEVON TURNBULL

Known under his creative pseudonym OJAS, Turnbull is a Brooklyn-based artist and audio engineer. He handcrafts high-fidelity audio systems—monolithic works of functional sculpture that seek to express the natural and emotional essence of music. His work is the result of a lifelong dedication to experimentation, engineering, and explorations in the audio underground.

His installations have appeared in museums and galleries such as SFMOMA, Cooper Hewitt, and Lisson Gallery; public spaces including Public Records, the Nine Orchard Hotel,  Patina Osaka, and Supreme stores worldwide; as well as the private collections of some of the world’s top musicians and music producers. Through all these projects, Turnbull’s unwavering pursuit of sonic purity remains his defining hallmark.

playlists

Classical

A selection of international classical music—old and new—curated by Devon Turnbull, based on music he is inspired by and listening to currently. Some of these selections are recordings that Turnbull references for high dynamic range or natural, realistic sounding instrumentation. Highlights include two contemporary compositions by frequent collaborator Michael A. Muller of the American minimalist instrumental duo Balmorhea, as well as 15 other instrumental tracks. 

Ambient 

A contemplative selection of electronic and acoustic ambient works, chosen for their depth, texture, and sense of space. Featuring Aphex Twin’s “#3” from Selected Ambient Works II, alongside new music from Mats Erlandsson and Yair Elzar Glotman’s Glory Fades, plus eleven additional tracks exploring atmosphere and resonance. 

Jazz 

Focusing on seminal jazz recordings from legendary New York label Blue Note Records, all tracks on this playlist were recorded and mixed by famed engineer Rudy Van Gelder, who recorded almost every session by the record label from 1953-1967. The installation aims to create a lifelike reproduction of the jazz performance recordings, almost sounding like the musicians are there in person. In this playlist, the 1958 song “Blue Train” transports you to when John Coltrane recorded the pivotal hit while other jazz standards from the genre’s forefathers, including Herbie Hancock, Thelonius Monk, and Miles Davis Quartet, take you through the early years of this groundbreaking label.

Learn more about the playlist tracks.  

Know Before You Go

• The listening room is located in the museum’s historic Carnegie Library space.
• Due to the limited capacity, if there is a line, visitors may be limited to 15 minutes in the listening room. Visitors will be notified when it is time to leave. 
• The custom designed sound system offers an exceptionally high fidelity, natural, realistic sound. Cell phones and other devices must be silenced, and we ask for no talking please. 
• No food or drinks are permitted in the listening room. 
• Visitors have the option to take off their shoes and place them in the provided shoe storage. 
• Visitors may sit or stand in the room. Seating includes floor seats with backs, benches with and without backs. 
• Non-commercial photography without flash is welcomed. 
• For the safety of our visitors and collections, the museum prohibits the use of tripods, monopods, selfie sticks, or similar devices. 
• If you are a member, you will have access to a member’s priority line. Not a member yet, learn more.
• Accessibility resources, including T-Coil, sound dampening headphones, and a priority line for visitors with disabilities, are available to support your participation. Ask a staff member or email CHAccess@si.edu for more information.
• No special ticketing is required outside of general museum admission. Your admission also includes access to the museum’s other exhibitions. 

ACKNOWLEDGMENTS

Art of Noise is organized by the San Francisco Museum of Modern Art. The exhibition is curated by Joseph Becker, Curator of Architecture and Design, SFMOMA, with Divya Saraf, former Curatorial Assistant in Architecture and Design, SFMOMA. Cooper Hewitt’s presentation is curated by Joseph Becker with support from Cynthia Trope, Associate Curator of Product Design and Decorative Arts, Cooper Hewitt.

SUPPORT

This exhibition is made possible by the August Heckscher Exhibition Fund, the Ehrenkranz Fund, the Barbara and Morton Mandel Design Gallery Endowment Fund, the Fisher Arts Impact Fund, and Jonathan Schroeder and Janet Borgerson.

In-kind support provided by Kvadrat Inc. and USM Modular Furniture.