In the mid-1960s, Madeleine Moore-Burrell began her career in industrial design at Henry Dreyfuss’s firm in New York City, where she was the only woman of color on staff. She contributed to the design of important new symbols for major clients including American Airlines, John Deere, Polaroid, and Singer Manufacturing Company. Her symbols for camera...
A photo album in Cooper Hewitt’s collection documents the construction of a prototype house in Paris, France, that demonstrates the principles of Standard-Construction, a patented modular building system designed by French architect Hector Guimard in the early 20th century. Like many architects of his time, Guimard explored the possibility for standardization and prefabrication to streamline...
The 19th-century department store and its successor, the modern mall, have continually evolved to attract and keep consumer attention for decades. Critic Alexandra Lange and Cooper Hewitt curator Emily Orr examine design’s leading role in the development and cultural impact of some of America’s most impressive shopping complexes. Sharing stories from their recent books on...
DesignING on the Front Lines | Season 2 In this virtual forum, designers and doctors talk about designing better services, PPE, public spaces, and more in the age of COVID-19. Presented by the Health Design Lab at Thomas Jefferson University and Cooper Hewitt, Smithsonian Design Museum. Season 1 took place in summer 2020. Moderated by...
Stamen Design’s founder Eric Rodenbeck discusses the inspiration behind the design of Watercolor Maptiles, recently acquired by Cooper Hewitt Smithsonian Design Museum. Watercolor Maptiles is a web-based open-source mapping tool designed by Stamen Design, a San Francisco-based data visualization and cartography design studio and winner of the 2017 National Design Award in Interaction Design. Launched...
Written by Tatiana Schlossberg To those of us who don’t design anything, it’s easy never to think about design at all. If the design is good, then we probably don’t even see it because it’s too intuitive or easy to use or we are too distracted by the elegance or beauty to imagine that a...
Design Talk on the next generation tools of resilience and the design required to meet social, economic, and climate change challenges.
The final grand challenge posed by Secretary Wayne Clough for the new strategic plan of the Smithsonian is explained by the sentence: “America is an increasingly diverse society that shares a history, ideals, and an indomitable, innovative spirit. We will use our resources across disciplines to explore what it means to be an American and...
Cooper-Hewitt invites you to submit ideas for our fourth Triennial exhibition, opening in 2010. We are looking for designers, firms, and projects from around the world that answer the question “Why design now?” Why is design an essential tool for solving some of today’s most urgent problems? What draws creative thinkers, makers, and problem solvers...
