A pioneering example of psychedelic design, this work was one of the 56 posters that Wes Wilson produced between 1966 and 1968 for the Fillmore Auditorium in San Francisco. The posters were commissioned by the rock concert promoter Bill Graham, who gave Wilson free rein over his designs until disputes about money severed their connection....
This is the fourth interview in Chapter 2 in my new book, Designing Media Erin Zhu and Blixa Bargeld, December 2008 I read a piece in the paper about the way that Blixa Bargeld and Einstürzende Neubauten were able to survive by fan subscription, thus avoiding the traditional perils of the music industry. I sent...