post-war design

On cream ground, design for a six-wheeled double-decker Greyhound bus in three-quarter profile view. At the front of the automotive, a large windshield, the word "CHICAGO" in silver text on a black plaque immediately below. Centered below the destination is the Greyhound logo, an elongated running white hound on copper ground. Below the logo, a large streamlined chrome grille, which wraps around the sides of the bus, accentuating the windows of the seats on the lower level. A red license plate at front reads "1946-X BUS" with small round white and yellow headlights on either side. The destination city of Chicago appears again on the side of the vehicle, with the Greyhound logo behind, in this instance with the dog on a diagonal ground of red, white, and blue stripes. Views through the windows show at least ten rows of four plushly upholstered seats on the upper level, and approximately five rows on the lower level, allowing for mechanical and luggage storage in the lower rear of the vehicle. The frontmost wheel has a shiny chrome hubcap covering the wheel disc, while the rear wheels have an exposed rim and disc. The bus casts a pale shadow on the ground, which is indicated by two parallel diagonal lines.
Away We Go!
On July 9, 1947, Look magazine ran a feature article on the fastest growing form of transportation in America: intercity buses. “Bus travel, according to the sworn word of many highway fans,” the author wrote, “is the best way to make a sightseeing holiday trip.”[1] The post-war boom in bus travel was indebted, in part,...
Molded, laminated wood form of T-shaped back, square seat, the sides bending to form four flat legs; front of seat bent down to form short apron; back with small heart-shaped cut-out in center, attached to seat with three metal fasteners. Red-stained finish.
Minimalism in the Playroom
Experimenting with the possibilities of molded plywood during World War II allowed influential design couple Charles and Ray Eames to perfect a cheaper alternative to metal leg splints. The lightweight design proved to be a life-saving innovation for wounded soldiers. At the end of the war, the Eamses redirected their improved understanding of molded plywood...
Pleasant Abstractions
This unobtrusive sidewall was designed c.1954 – 1955 by Rolf Middelboe for the Danske Tapetfabbriker company, and it is a great example of midcentury “Danish Modern” design. Thin white lines wander over the paper, sometimes angular sometimes curvilinear, creating a patchwork of abstract polygons. The shapes are filled with muted tones of grays and greens,...