Elizabeth Broman discusses the work of influential Jazz-Age photojournalist Thérèse Bonney.
Most people go to exhibitions to look at the objects. Eggheads go to read the labels. Design geeks (and museum professionals like myself) want to study the installation itself. How are the platforms and cases constructed? How are the texts laid out? How are supplementary graphics handled? Cooper-Hewitt’s new exhibition Design for a Living World...