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Image features gilt bronze furniture mount in the form of a lyre made up of foliage and centered by a torch. Please scroll down to read the blog post about this object.
Shiny, Sturdy and Sophisticated
Author: Molly Beegoo Gilt bronze furniture mounts have long been an element of decoration in French interiors. In addition to their use as ornament, they were highly functional. Their gilded surfaces added value and appeal to what would typically be a basic utilitarian purpose: protection for furniture. The mounts were generally fixed to the edges,...
Image features a gilt bronze mount depicting a winged figure in a chariot pulled by butterflies. Please scroll down to read the blog post about this object.
Eros and Psyche: True Love Captured in Gilt Bronze
This is a gilt bronze furniture mount made in France, in about 1800. Highly decorative mounts like this one were important elements in interior and furniture design from the late seventeenth to the early nineteenth centuries. They were created by master artisans trained in a strict guild system which applied exacting standards to the fabrication...
Image features a low wooden stool consisting of a thick circular seat on three splayed, tapering legs, rectangular in section. Please scroll down to read the blog post about this object.
Musing on Materials
In a 1929 article for The Studio, Charlotte Perriand, the designer of this stool, wrote polemically about the advantages of using metal over wood, noting its utilitarian and aesthetic value. She said, “Metal plays the same part in furniture as cement has done in architecture. It is a Revolution.”[1] Her now-iconic B306 chaise longue made...
an image of the Triad Chair designed by Wendell Castle.
Remembering Wendell Castle
The celebrated American designer Wendell Castle was known as the "father of the art furniture movement."
A Cabinet Fit for a King
The theme of this Royal Jewel Cabinet from France, dated 1824-26, is no doubt indulgence in all forms – especially love and extravagance. Its rich iconography displays symbols of love and jewels, where antiquity is mixed with early-nineteenth century depictions of flowers.[1] The cabinet is constructed of porcelain plaques in a gilt-bronze armature. A golden...
View of a liviing room designed by Sue et Mare at Lord & Taylor. The round display consists of two padded arm chairs, a low coffee table with rounded legs, and a tall, paneled plinth on which stands a statue of a nude figure.
Beautiful Objects for General Consumption: The New York Department Store and Modern Design in the 1920s
In the 1920s, the New York department store was an early promoter and exhibitor of European modernism and a distiller of these new styles for the American consumer. Good Furniture magazine reported in 1928 that “Lord and Taylor has taken a very definite step forward toward the actual placing of modern furniture in American homes.”[1]...
Skyscrapers in the Jazz Age: A Tour with Curator Sarah Coffin
Join curator Sarah Coffin for a Facebook Live tour of The Jazz Age: American Style in the 1920s.
Master of the Chair
Hans J. Wegner was a pioneer in modern Danish design in the 1950s and 1960s. Having designed more than 500 chairs throughout his career, with 100 of them being mass-produced, he has been affectionately known within the design world as the “Master of the Chair”.  His ingenious use of natural materials, in particular his admiration...
Utility and Marketing: A Matchsafe Made in Heaven
Cooper Hewitt holds a large number of matchsafes: small, metal boxes that emerged around 1830 to house recently invented friction matches. Vital for lighting lanterns, kitchen stoves and smoking accessories, people from all walks of life carried matchsafes, or vesta cases.  The air-tight containers kept matches dry and reduced the risk of spontaneous ignition, a...