black artists

The front and back covers of a book are shown. A collage of black-and-white photographs completely bleeds off all sides of the two covers. The cut-and-pasted photographs depict Black people of different ages, some with natural Afro hair styles. The title “RE:CREATION” and the author’s name are typeset in red Futura caps. One figure is highlighted with red ink, printed transparently over the black photograph. An outdoor sign for Jackson State College appears on the back cover.
Broadside Press and Black Graphic Design
Broadside: A single sheet of paper printed on one side only. For centuries, broadsides were a popular ephemeral format for distributing news, announcements, advertisements, or commentary in the form of ballads.  Between 1966 and 1975, Broadside Press in Detroit, Michigan published 81 books and dozens of poetry broadsides written and designed by Black writers and...
This poster for the exhibition “Impressions/Expressions: Black American Graphics” bears the title at top, with credit information below. A brightly colored image draws the eye at the center of the poster, a lithograph by the artist Margo Humphrey. A border of purple, red, and orange surrounds an abstracted scene, with a bright blue sky. A large yellow tiger, sketchily drawn, bears its teeth at the bottom of the frame, while a pair of figures float above, in embrace. Surrounding these figures, chili peppers, bananas, moons, and stars seem to rain from above,
First Impressions/Expressions Count
In October of 1979, an exhibition entitled Impressions/Expressions: Black American Graphics opened at the Studio Museum in Harlem. The show, associated with the second annual “Survival of the Black Artist” Fine Arts Festival, later traveled to Howard University—alma mater of the exhibition’s 26 year-old curator, Richard J. Powell.[1] The first survey of its kind, Impressions/Expressions...