Dorothy Liebes

Three people sit working at large textile looms in front of a high wall of shelves filled to the brim with vibrant and colorful yarn and other kinds of thread; a fourth person stands and watches their work.

ABOUT DOROTHY LIEBES

Color photograph of a woman wearing a black hat with a black suit with a pencil in breast pocket, leaning over a table while holding fabric swatches in her hands

Dorothy Wright (American, 1897–1972) was born in Santa Rosa, California, and studied applied design at the University of California Berkeley, graduating cum laude in 1923. During the course of her studies, one of her professors encouraged her to explore weaving, so in the summer of 1920 she learned how to weave at Hull House in Chicago, Illinois. She married Leon Liebes, the A. H. Liebes Department Store heir, in 1928.

After working abroad in Paris, France, Liebes returned to the United States and opened her eponymous studio in San Francisco. California. Her business initially focused on handwoven work for architectural clients including Frank Lloyd Wright. Liebes continued to travel, and in 1936 she spent a few months in Guatemala, exposing her to pre-Columbian textiles; she was particularly influenced by their bright color combinations and motifs. 

At the end of World War II, synthetic materials that were created for and utilized in the war effort were made available for domestic use. Liebes was excited and inspired by these possibilities, especially the innovative ways in which they could be worked and manipulated. Liebes is often credited as a vital part of the California Modernist movement, and in the 1940s and ‘50s she was one of the most well-known textile designers in the United States. In contrast to the neutral palette of many of her modernist contemporaries, Liebes is well known for her unexpected use of materials, vibrant color, and pattern. 

Liebes was a sharp businesswoman who believed that mass-produced textiles could reach wider audiences. While still retaining a handwoven appearance, Liebes worked to design power-loomed fabric in a myriad of different styles and materials. In 1957, Liebes left California and moved her studio to New York City, where she continued to work until her death in 1972. Her work can be found in private and public collections throughout the country, including the Museum of Art and Design, The Metropolitan Museum of Art, and Cooper Hewitt.

COLLECTION HIGHLIGHTS

Dorothy Wright Liebes: Unorthodox Textiles
Dorothy Wright Liebes (1893-1972) was a textile designer who is known for having developed a distinctive look, including vibrant colors and patterns that became synonymous with the Modernist movement in California in the 1940s and 1950s. Widely traveled, Liebes often drew inspiration from the places she visited around the world for her unique textile designs....
Three people sit working at large textile looms in front of a high wall of shelves filled to the brim with vibrant and colorful yarn and other kinds of thread; a fourth person stands and watches their work.
Behind the Design: The Dorothy Liebes Papers
How can an archive draw a map through a nearly forgotten designer’s four-decade long career? How can an 8 x 10 inch fabric swatch embody a design era, from material choices to color palette? What role can invoices and order books play in filling in key gaps and bringing that era to life? Designer Dorothy...
Image of Kate Irvin, who stands in the center of the frame. Brightly colored textiles hang behind her. She wears a bright blue flower print dress, has a short brown bob haircut and wears dark rimmed glasses
Design Talk | Dorothy Liebes: Unorthodox Textiles
Cooper Hewitt hosts RISD Museum Curator of Costume and Textiles Kate Irvin in a design talk exploring the experimental materials, novelty textures, and “vibrating” color palette in textiles generated by designer and entrepreneur Dorothy Wright Liebes (1897-1972), nationally recognized in her own time as America’s “First Lady of the looms.” Read more about Doroty Liebes....