Previously On View: September 20, 2019 through February 13, 2023

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Presented in Cooper Hewitt’s Process Lab, Face Values: Exploring Artificial Intelligence is an immersive installation that explores the pervasive but often hidden role of facial-detection technology in contemporary society. This high-tech, provocative response investigates the human face as a living data source used by governments and businesses to track, measure, and monetize emotions. Using their own faces to control cameras and software, viewers experience the power and limitations of emotion recognition technologies through playful interactions that encourage awareness of these often hidden tools. Face Values speaks to the growing fascination around facial detection technology, particularly in the U.S., where major companies continue to experiment and push boundaries with this controversial software.

Compilation of black and white imagery. Early mugshots. Phrenology illustration labeling facial features as "criminal." Henry Dreyfuss illustration of standardized human measurements (female). Man putting frightening cage-like device on woman's face to measure her features. Annotated photo of pretty woman's face.

Excerpt from photo essay by Jessica Helfand 

The exhibition is curated by Ellen Lupton, senior curator of contemporary design at Cooper Hewitt, and features original work by designers R. Luke DuBois and Zachary Lieberman, displayed within a digital environment designed by Matter Architecture Practice. A visual essay by designer and historian Jessica Helfand explores how past and present scientists, criminologists, and beauty experts have tried to quantify the human face. First presented at the 2018 London Design Biennale, the installation has been expanded to include a new work about AI and bias developed by Karen Palmer of ThoughtWorks.

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Installation

About the collaborators

R. Luke Dubois
R. Luke DuBois explores temporal, verbal and visual structures through music, art and technology. He is the director of the Brooklyn Experimental Media Center at the NYU Tandon School of Engineering, where he and his students explore the implications of new technologies for individuals and society. His work expands the limits of portraiture in the digital age by linking human identity to data and social networks.

Zachary Lieberman
Zachary Lieberman uses technology to augment the body’s ability to communicate. He is the creator of openFrameworks, a tool for creative coding, and he is founder of the School for Poetic Computation in Brooklyn. EyeWriter, an eye-tracking interface designed for people with paralysis, won Design of the Year (Interactive) 2010 from the London Design Museum. Lieberman’s work actively explores the human face as a controller and interface for software.

Karen Palmer
Karen Palmer is a London-based digital filmmaker and storyteller, whose immersive films combine the genres of film, gaming, art, science and technology. Her work has been honored as part of the Digital Dozen Break Throughs in Storytelling 2016, and exhibited at the V&A Museum London, Museum of Modern Art Peru, The Future of Storytelling Festival NY and The Festival of the Mind Sheffield.

Jessica Helfand
Jessica Helfand is founding editor of Design Observer, she is the author of numerous books on design and cultural criticism, including Screen: Essays on Graphic Design, New Media and Visual Culture (2001), Scrapbooks: An American History (2008) and Design: The Invention of Desire (2016). Her new book—Face: A Visual Odyssey (MIT Press, 2019) is available for purchase from SHOP Cooper Hewitt.

Ellen Lupton
Ellen Lupton is a writer, curator, and graphic designer. She is director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore, where she also serves as director of the Center for Design Thinking. As curator of contemporary design at Cooper Hewitt, Smithsonian Design Museum since 1992, she has produced numerous exhibitions and books, including Mechanical Brides: Women and Machines from Home to Office (1993), Mixing Messages: Graphic Design and Contemporary Culture (1996), Letters from the Avant-Garde (1996), Skin: Surface, Substance + Design (2002), and The Senses: Design Beyond Vision (2018).

Matter Architecture Practice
Matter Architecture Practice is co-directed by Sandra Wheeler and Alfred Zollinger. Matter has received top honors for its work in exhibition design, which seeks to tell complex stories about data and society through engaging, physically rich environments. Matter was a finalist of the PS1/MoMA Young Architects Program and the winner of AIA New Practices New York, a juried selection recognizing up-and-coming, innovative firms in the city.

Supporters

Process Lab is made possible by major support from Alice Gottesman.

A sculptural structure made from seaweed seems to wrap, like a tentacle, in and out of the a conference room window. Outside the window is several feet of white snow.
Partnering with Nature
about the exhibition On view at the World Economic Forum’s 50th Annual Meeting, Jan. 21 through Jan. 24 in Davos-Klosters, Switzerland. Drawing from the Nature—Cooper Hewitt Design Triennial exhibition originally organized by Cooper Hewitt and Cube design museum, this adaptation is a collaboration between the Smithsonian and the World Economic Forum (WEF). This is the...
Dangerous Futures: Bias + Artificial Intelligence
Join us for a an evening with the creators of Face Values, an exhibition that explores the power and limits of A.I., provoking us to think more critically about how facial data has been and continues to be interpreted.
Exploring A.I.: Data Portraits
Join us for a an evening with the creators of Face Values, an exhibition that explores the power and limits of A.I., provoking us to think more critically about how facial data has been and continues to be interpreted.
Two women, one seated and one standing, are positioned in a gallery space. They both look intently at a video monitor affixed to a wall covered in dozeons of black vertical rods. The monitor shows text, images of two women, and a live feed of the seated onces facial expressions.
Don’t Take It at Face Value
Artist R. Luke DuBois discusses artificial intelligence and his installation Expression Portrait in the exhibition Face Values at Cooper Hewitt.
On a digital screen floats blobs containing an eye, nose, and mouth. A seated person with long brown hair is looking at the screen. The screen is surrounded by a gold frame with long black cords / wires around it.
Face Values: Exploring Artificial Intelligence
about the exhibition Presented in Cooper Hewitt’s Process Lab, Face Values: Exploring Artificial Intelligence is an immersive installation that explores the pervasive but often hidden role of facial-detection technology in contemporary society. This high-tech, provocative response investigates the human face as a living data source used by governments and businesses to track, measure, and monetize emotions....