Author: Matthew Kennedy

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Light gray graphic features a densely drawn group of various cube-like buildings with suggestions of windows and square tops, some with faces drawn on
Shantell Martin: WAY* YAY**
From WAY* to YAY**, artist Shantell Martin translated her intricate, dynamic drawing style into whimsical textiles in the hope of making someone’s day.
White rectangle with intersecting colored shapes around Making Home in black blocky type and Pride Edit in curvy black type
Making Home / Pride Edit
In observance of LGBTQIA+ Pride Month, Cooper Hewitt offers an illustrated and annotated list of projects drawn from the exhibition and publication Making Home that address queer themes or are by queer creators.
Women in Costume Design
Twirl through theater, opera, and film with costume designs from Cooper Hewitt's collection.
Against a light orange background, a figure is drawn from illustrative black lines filled in with blues, yellows, whites, and browns. The figure consists of a brown-skinned man in a blue shirt whose body is entwined with the form of a chair, with his arms morphing into the chair arms and the two entities sharing legs.
We Are Seated: Tschabalala Self’s “Sounding Board”
“A chair always implies a figure, even if no figure is occupying it.”
The Library Is Open: Queer Texts and the Designers Who Enabled Them
The worlds of design and writing collide in this exploration of published work by LGBTQIA+ individuals.
Pop Art & ’60s Vibes: Wallcoverings by or Inspired by LGBTQIA+ Designers
Get to know wallcoverings (and a shopping bag) by LGBTQIA+ designers and artists in pop art and 1960s aesthetics.
From the Collection: Queer Modernisms and Beyond
In observance of Pride month, Cooper Hewitt’s curatorial departments have selected a group of objects with LGBTQ+ stories to feature on the museum’s collection site. These objects are loosely connected by the theme of queer modernisms and are by LGBTQ+ designers.
Intersex-Inclusive Progress Pride Flag at the Smithsonian
In 2023, Cooper Hewitt hung the Intersex-Inclusive Progress Pride flag on its south-facing facade. The installation celebrates LGBTQ+ Pride Month and demonstrates the evolution of inclusivity in the design of Pride flags.
Women Making Wallpaper
For Women's History Month, view more than 100 years of women's contributions to wallpaper design.
A digital collage of seven images of various types of design objects, including posters, a wallpaper, a textile, and salt and pepper shakers. The overall composition is a horizontal rectangle with the various images either abutting or overlapping each other. In the upper left is a textile with pink, orange, and white horizontal, irregular stripes overlaid with inky black illustrations of plants. Superimposed over the textile and at the lower left of the collage is a vertical yellow poster featuring the shocked face of a woman (actress Jenifer Lewis) stylized in shades of blue with dynamic lettering that reads “The Diva Is Dismissed” along with creator credits for a performance and the logo for The Public Theater at the upper right. At top center of the collage is a square blue poster with the confrontational close-up of a human eye; the eye is surrounded by a black circle with white blocky lettering that reads “WAC IS WATCHING / WOMEN TAKE ACTION”. Beneath this is a severely horizontal yellow poster that pictures a naked woman from behind (an image adapted from a Renaissance painting) who wears a guerrilla mask accompanied by the text “Do women have to be naked to get into the Met. Museum?” followed by statistics detailing inequities. At the upper right of the collage is a yellow wallpaper that contains black-and-white, illustrative scenes of Black individuals wearing 18th-century costume and engaging in a variety of both pastoral and modern activities. To the left of this wallpaper is a small gray-scale poster picturing two women in hats and coats sitting on a bench; above and below them is the text “I want to kiss my girlfriend, in public, without fear.” Finally, at the lower right of the collage is a photograph of a salt and pepper shakers, which are entwined and modeled in bulbous forms in white, glossy ceramic.
Women in Design
Discover the cross-disciplinary work of women in design through seven objects.
The Hewitt Sisters and the Anti-Suffrage Movement
Women's right to vote was a widely debated issue in the United States in the late 19th and early 20th century. Prominent women were on both sides of the debate, which pushed against traditional views of gender and class.
Cooper Hewitt + The Smithsonian Institution: Becoming the Nation’s Design Museum
On October 7, 1976, Cooper Hewitt opened, joining the Smithsonian and becoming the nation’s design museum. Learn how that came to be.
Open spread of an illustrated book. On the left is a full-page black-and-white image of two elongated figures looking at a third figure that resembles a full moon. On the right is the book's title page. Two figures are embedded in intricate foliage. A rectangle with a blank background contains the title: "Salome: A Tragedy in one Act : Translated from the French of Oscar Wilde : Pictured by Aubrey Beardsley"
There’s Something About Salome
When Salome requests a severed head on a platter, be careful what you wish for. Or write. Or draw. In 1894, Oscar Wilde and Aubrey Beardsley—both considered enfants terribles of Victorian England for their provocative work and lifestyles—produced a printed edition of Wilde’s play Salome. Wilde’s psychological centralization on the character of Salome and Beardsley’s...
Poster for the Spike Lee film, ‘Do the Right Thing.’ Shows a bird’s-eye view of a blue street with a man standing cross-armed by the tail of a car on the left. At right, a man holds a pizza box. Printed in yellow, upper center, with children's feet on either side: It's the hottest day of the summer. / You can do nothing, / you can do something, / or you can... Printed larger in yellow, center: DO THE / RiGHT / THing. Rows composed of colored triangles appear between the lines of text. In light blue, directly to the right: BEd-Stuy. In white, below, written by a young girl with chalk: A Spike Lee Joint. A child-like drawing of a man with a gun and a cop car appear in the lower right. Film credits listed in white at the bottom of the poster. The rating information (R) and the Spectral Recording/Dolby Studio logo appear on the bottom left.
Movie Night! Seven Art Sims Posters for Spike Lee Films
Art Sims (American, born 1954) has designed graphics across entertainment media, but his most famous and prolific work is that for film posters. His collaboration with Academy Award–winning filmmaker Spike Lee (American, born 1957), in particular, has produced some of his most iconic designs. Sims was first drawn to Lee’s work after seeing Lee’s first...
A poster depicting a bluescale image of the head of a woman with a bouffant hairdo and an unrestrained shouting expression, as words advertising a theatrical production spiral from her mouth, contrasted against a bright yellow, solid background.
Black Theater: A Graphic Design Showcase
Graphic design serves a powerful role in establishing the visual identity of theatrical performance. Cooper Hewitt’s collection offers highlights of graphic design for the work of Black playwrights and composers. Narratives addressing riots and rage; exploring triumph, history, and oppression; or featuring funk, soul, and divas interact with typography, image, and space to tell a...