Names was designed by Alexander Girard for Herman Miller in 1957. He used typography as pattern in many of his works – from textiles and wall coverings to signs, logos, and even menu layouts — by playfully mixing, transforming, and inventing fonts for whatever the project required. Sometimes he created entire alphabets while other times...

Cooper-Hewitt, National Design Museum has just acquired its first digital font, the Clearview family of typefaces. Featured in Cooper-Hewitt’s 2010 National Design Triennial: Why Design Now? exhibition, Clearview is a beautiful example of design as a form of social activism. As baby boomers reach their mid- to late sixties, highway sign legibility has become an...

On Friday, September 3, 2010, Cooper-Hewitt opened “Recent Acquisitions: Digital Typography,” an installation of five graphic works exploring the evolution of post-modern type design, organized by curator Gail Davidson. In this series of blog posts, Ellen Lupton continues the conversation with brief commentary on contemporary digital typefaces.     One of the pieces featured in...