Bauhaus

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This is a Teapot and lid. It was designed by Marek Cecula. It is dated 1991. Its medium is glazed porcelain.
Memories of Bauhaus
One would not have thought that “fragment” and “porcelain” could co-exist as happily as they do in this teapot, from Marek Cecula’s “Fragment Series”.  Why fragment? Cecula (born Poland, 1944, working in New York) writes that, in creating the “Fragment Series”, he wanted to “substitute conventional functionality into a utilitarian sculpture.” In this sense, the...
This is a Vase. It was designed by Margarete H. L. Marks and manufactured by Haël-Werkstätten. It is dated ca. 1930. Its medium is glazed earthenware.
A Stroke Of Color
Margarete Heymann-Loebenstein-Marks, also known as Grete Marks, was a German ceramicist and painter who studied at the Bauhaus School of Arts in Weimer in 1920–21, alongside Paul Klee and Georg Muche. Prior to this, she had attended the Kunstgewerbeschule in Cologne and studied painting at the Akademie der bildenden Künste in Düsseldorf. Her time at...
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A Room of One’s Own
German-born Margarethe (Grete) Fröhlich was a young artist when she moved to Frankfurt, Germany in 1929.  In the early 1920s Frankfurt had experienced a housing crisis.  In an effort to address the shortage of affordable housing, the city embarked on a major building project, constructing nearly 15,000 residences in a period of five years.  The...
Undulating single panel seat starting from a back-curved head rest and descending on an angled plane to the bottom of spine before heading up to bend at the knee area and descending slightly at calf length, all supported between two curvilinear arms, descending to a cross bar and continuing to form back legs, connecting at the cross brace to seat supports of trapezoidal shape.
Bending for the Brits
The Hungarian-born Marcel Breuer is perhaps best known for his tubular steel B3 (‘Wassily’) and B32 (‘Cesca’) chairs, which he designed while leading the carpentry workshop at the Bauhaus, after it moved from Weimar to Dessau, Germany, in 1925.  Legend has it his experiments with tubular steel were inspired by his bicycle. Breuer, who was...
A mixture of different type fonts arranged on a diagonal opposition with rectilinear text blocks. Printed in "split-fountain" which produces color transitions from red at top left, through orange, yellow to green, blue, lavender and violet at bottom right corner.
Tanzstudio
In 1931 when he designed this poster, the Swiss artist, designer, and architect Max Bill had already completed several years of study at the Bauhaus under the guidance of artistic luminaries Oskar Schlemmer, Paul Klee, and Wassily Kandinsky.  Bill had returned to Switzerland in 1929, and it was while living in Zürich that he received...
View of front, side, and back of wood and blue upholstered side chair, from left to right across upper half of sheet. Plan of side chair in the lower middle of sheet, with pre-printed multiple image of chair at lower left.
A Chair for the American Family
In 1951, Danish architect and designer Finn Juhl brought Danish Modernism to forefront of American consciousness. He did so with his interior for the “Good Design” Exhibition in Chicago, as well his design for the Trusteeship Council Chamber at the UN headquarters in New York, which he completed the following year. However, Juhl’s sculptural forms,...
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Made by Hand: Alabama Chanin
  The evening of May 19th capped off a three-day residency at the Cooper-Hewitt for Natalie Chanin, founder and designer of the design studio Alabama Chanin. Chanin, one of the founders of the burgeoning “slow fashion” movement, followed up her two-day Design Directions workshop for teenagers with an hour-long public lecture and book signing. “Lecture”...