Of the 10,000 plus wallpapers in the Cooper Hewitt collection this piece is not the most visually exciting. But it is significant. This CoverAge product is possibly the earliest wallpaper made from 100% recycled materials. The paper is made from post-consumer paper and cardboard along with wood bits salvaged from old pallets and scrap wood,...
I acquired Bedazzled for the museum collection in 2004. I had seen an advertisement in a shelter magazine and wanted to visit the showroom to experience it and pick up a sample. When I walked into the showroom this wallcovering, in silver, was installed on a large curved wall and was totally breathtaking. It was...
Knoll introduced Cato in 1961 and it has been in continuous production ever since, making it one of the most successful designs the company ever produced. It was designed and woven by Paul Maute, a German designer/weaver whose contributions to Knoll Textiles were both influential and lasting. In 1927, Maute established his weaving workshop in...
Trude Guermonprez was a much-admired weaver and professor of textile arts at California College of Art. She was trained at the School of Fine and Applied Arts in Halle, Germany, sometimes called the “little Bauhaus,” as many of its faculty had studied or taught there. After World War II, she made her way to California...
This cotton panel displays the signature elements that have come to make Coogi a recognizable brand worldwide. With asymmetrical lines, a variety of different textures, and a plethora of bright colors this fabric offers all the energetic vibrancy associated with the Coogi brand. For many people today the name Coogi calls to mind the particular...
Wool Dot Gather, designed by Osamu Mita and manufactured at his family’s textile company, Mitasho, is made of wool and rayon. The textile has a very rich textural surface created by a combination of patterning in the weaving process, as well as shrinking in the finishing. The white plain woven wool forms both the dots...
During a visit to Cooper-Hewitt about a year and a half ago, West-coast felt-maker Janice Arnold was intrigued by the form of the museum’s conservatory. Its domed roof and iron mullions resemble the radiating struts of the framework of a yurt—the circular tent dwelling of the nomadic tribes who first created felt. Next week, Arnold...
