Large charcoal drawing of the stage for "King Lear" scene two. The stage itself is black and the backdrop is white and grey. At left, a tall, straight-backed chair. In center, extending from backdrop to front of stage, is a long, flat bed.
Wilson Lights the Lights
If anyone has come to know seminal avant-garde theatre director Robert Wilson, they will have witnessed the autodidact hard at work sketching. Whether backstage at a major European opera house or cramped into an economy-class plane seat—flying over the Alps to simulate the intensity of a Wagner aria—he always garners silence when drawing. When at...
Molded, laminated wood form of T-shaped back, square seat, the sides bending to form four flat legs; front of seat bent down to form short apron; back with small heart-shaped cut-out in center, attached to seat with three metal fasteners. Red-stained finish.
Minimalism in the Playroom
Experimenting with the possibilities of molded plywood during World War II allowed influential design couple Charles and Ray Eames to perfect a cheaper alternative to metal leg splints. The lightweight design proved to be a life-saving innovation for wounded soldiers. At the end of the war, the Eamses redirected their improved understanding of molded plywood...