In observance of Pride month, Cooper Hewitt’s curatorial departments have selected a group of objects with LGBTQ+ stories to feature on the museum’s collection site. These objects are loosely connected by the theme of queer modernisms and are by LGBTQ+ designers.

In this lecture, Dr. Bénédicte Gady explores the intersecting histories of the drawing collections of Cooper Hewitt and the Musée des Arts Décoratifs in Paris. Cooper Hewitt was founded as the Cooper Union Museum for the Arts of Decoration in 1897. It was deliberately modeled after the Parisian museum, which had been founded thirty-three years...

This year, the Smithsonian Institution launched its Open Access initiative. Smithsonian Open Access invites you to share, remix, and reuse millions of the Smithsonian’s images—right now, without asking.  Discover Smithsonian Open Access with these five designs drawn from the Cooper Hewitt collection. What will you create?  PRINT, FAUST IN HIS STUDY, CA. 1652, Rembrandt Harmensz...

In our last Short Story, we perused children’s books by great designers donated by the Kean sisters. This month, staying in the theme of sibling charity, we profile another Hewitt who, in his own way, made a substantial contribution to Cooper Hewitt: Erskine Hewitt! In managing his family’s estates, particularly those of his sisters Sarah...

In our most recent Short Story, we looked at the friendship between the Hewitt and Carnegie families, and how those relationships still shape Cooper Hewitt today. This month, a research mystery catches our eye. Recently, curatorial researcher Josephine Rodgers brought our attention to a lovely portrait of a woman given to the museum in 1931...

Cooper Hewitt’s permanent collection includes more than 210,000 objects, which together span thirty centuries and reflect cultures from around the world. The Conservation Department’s main responsibility is the care and technical study of these pieces, to ensure their preservation for today and into the future.

In last month’s Short Story, we feasted on dazzling jewelry designs from Cooper Hewitt’s collection. This month, Sarah Coffin, curator and head of product design and decorative arts, introduces us to Mr. and Mrs. John Innes Kane, donors of some of Cooper Hewitt’s most important decorative art pieces. Margery Masinter, Trustee, Cooper Hewitt, Smithsonian Design...

In last month’s Cooper Hewitt Short Story, we buttoned up with a rousing exploration of the history of the button as illustrated by Cooper Hewitt’s expansive collection. This month, we delve into the uniquely Cooper Hewitt collection of historical and contemporary wallcoverings. Greg Herringshaw, the museum’s curator of wallcoverings, outlines three key areas collected by...

In last month’s Cooper Hewitt Short Story, Matthew Kennedy revisited the Ringwood Manor guest books, pulling out delightful images that spoke to the summer season at the Hewitt’s country estate. In this month’s segment, Ringwood Manor historian Sue Shutte explores Cooper Hewitt’s extensive online collection to find enticing parallels to those items found in the...

This month in Cooper Hewitt Short Stories, Caitlin Condell, Associate Curator and Head of Drawings, Prints & Graphic Design at Cooper Hewitt, takes us to Italy to discuss one of the most significant contributions of European drawings in the early days of Cooper Hewitt's collection: the addition of the Giovanni Piancastelli collection.

In Meet the Hewitts Part 15, Au Panier Fleuri—possibly the first ever museum shop—flourished. The store sold objects created by students from the Cooper Union Women’s Art School inspired by designs in the collection of the Cooper Union Museum of the Arts of Decoration. In this snippet of “Meet the Hewitts,” we meet some students...

In Meet the Hewitts Part 14, the amusing artistry found in the Ringwood Guest Books was highlighted by Matthew Kennedy. Shopping is never out of season! This snippet looks at a wonderful new shop in the early twentieth century filled with artistic gifts and decor for the home. Created by the Cooper Union Museum for...

While this drawing is the sole example in the Cooper Hewitt’s collection of Giovanni Piancastelli’s work as an artist, his impact on the museum as a collector is astronomically greater: over 12,200 of Cooper Hewitt’s drawings and prints came directly or indirectly from his personal collection. Born in a town near Ravenna, Italy in 1845,...