Jeweled Splendors of the Art Deco era: The Prince and Princess Sadruddin Aga Khan Collection
Through August 27, 2017
An installation of art deco luxury objects in the museum’s Teak Room features more than 100 extraordinary design objects, including cigarette cases, compacts, timepieces, and vanity cases, created by Europe and America’s premier jewelry houses.
Moustiers Ceramics: Gifts from the Eugene V. and Clare E. Thaw Collection
Through April 29, 2018
Showcasing nearly 60 works of faience, alongside related prints and textiles, produced in Moustiers-Sainte-Marie, France during the 18th century, the exhibition celebrates the substantial gift of Moustiers ceramics from the Eugene V. and Clare E. Thaw collection to Cooper Hewitt.
Cooper Hewitt’s extraordinary collection of wallcoverings is featured in a new high-tech space, the Immersion Room, offering visitors the unprecedented experience of using the Pen to select digital images of wallpapers or sketch their own design and then project them onto the walls at full scale to see their impact. More than an entertaining interactive experience, the Immersion Room gives museum visitors their first opportunity to discover Cooper Hewitt’s wallcoverings as they were intended to be viewed.
Designing the new cooper hewitt
The museum itself is a grand design object, as shown in the ground-floor exhibition Designing the New Cooper Hewitt. Design briefs, sketches, photographs, blueprints and other illustrations from the team of designers reveals the process behind three years of renovation and transformation at Cooper Hewitt.
Making | Breaking: New Arrivals
Through October 29, 2017
More than forty recent contemporary acquisitions from the museum’s permanent collection, as well as sketches, prototypes, and videos illuminating the designers’ groundbreaking design thinking. These new designs push the boundaries of materials, making, and form.
Process Lab: Citizen Design
Through September 24, 2017
Process Lab installations give visitors firsthand experiences with the activities designers use to solve problems and develop new ideas. Now on view, Citizen Design invites visitors to engage, empathize, and help envision a better America.
Hewitt Sisters Collect
The first exhibition to share the remarkable story of Eleanor and Sarah Hewitt, who in 1897 established a museum within Cooper Union, recognizes their central role in the museum’s founding and genesis of the core collection.
Esperanza Spalding Selects
through january 7, 2018
The 15th installation of Cooper Hewitt’s Selects exhibition series in which designers, artists, architects, and public figures are invited to examine and interpret the museum’s collection of more than 210,000 objects. Through her curation of nearly 40 drawings, prints, textiles, jewelry, and furniture, as well as works from the Smithsonian Design Library, musician and four-time Grammy Award-winner Esperanza Spalding explores how design—like music—both evolves and devolves in the process of transforming.
The World of Radio
through September 24, 2017
An exhibition of iconic radios, radio design drawings, and photographs from the early twentieth century through the present day accompany the installation of a rarely seen monumental textile illustrating radio’s early history.
Models & Prototypes Gallery
The second floor of Cooper Hewitt features a Models & Prototypes gallery, where rotating installations provide insights into the important role of models in the design process. Currently, the gallery showcases the exceptional models of staircases donated to Cooper Hewitt by Eugene V. and Clare E. Thaw.
Esperanza Spalding Selects is made possible by the Marks Family Foundation Endowment Fund. In-kind support for the site-specific installation is provided by ZGF Architects. Piano provided by Steinway & Sons.
Digital Experience supported by Bloomberg Philanthropies.
Exhibitions of the permanent collection are made possible by major support from Nancy Marks. Additional support is provided by Elizabeth and Lee Ainslie and the Henry Luce Foundation.
Hewitt Sisters Collect is made possible by generous support from Nancy Marks. Additional support is provided by Margery and Edgar Masinter and the Smithsonian Women’s Committee.
The Immersion Room is made possible by major support from Amita and Purnendu Chatterjee.
Process Lab is made possible by major support from Alice Gottesman.