Architect Rafael Viñoly made hand sketches as well as beautiful watercolors for his projects. For the Kimmel Center for the Performing Arts, Philadelphia (1998–2001), Viñoly was tasked with providing a cultural complex: a hall for the Philadelphia Orchestra and a second performance space for multiple types of theatrical productions. The center was also to serve...

Many of the wallcoverings in the Cooper Hewitt’s collection were created by designers better known for their work in the fine arts. This sidewall, c. 1927, was designed by Charles Burchfield, a much-loved American watercolorist. A mint-green trellis embellished with cross-hatching divides the panel into regular diamond-shaped cells. Each cell contains a stencil-like image of...

From high up in the heavens, the Greek goddess Iris strides forward, extending her arms in both directions. The drapery of her garments, caught by a forceful wind, clings to her legs and billows behind her. Although she seems embattled by the wind, with her head titled back and her body contorted, she remains a...

This drawing was architect Rafael Viñoly’s presentation concept sketch for Verizon Hall, home of the Philadelphia Orchestra, as it appears from the west. Watercolors are an integral part of Viñoly’s working process, used in the early design stages to formalize his organizing concepts. Following the watercolors, more precise drawings present the actual resolution of the...