upholstery

SORT BY:
Textile, "Gold Ripple-Wave Fabric", ca. 1956
A Fabric with a Touch of Tomorrow
To celebrate the opening of Saturated: The Allure and Science of Color, Object of the Day this month will feature colorful objects from the exhibition. This post was originally published September 4, 2012. America, 1957. Eisenhower was the President. Elvis was “the King.” And Ford Motor Company introduced its new 1957 automobiles, a “new kind...
Subtle monochrome pattern in grays gives impression of color unevenly applied due to folding of the substrate. Please scroll down to read the blog post about this object.
A Fashionable Collaboration
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. Knoll Luxe was launched in 2008 as a luxury fabric division of Knoll Textiles. The brand utilizes a global network of specialized and highly skilled textile mills to realize fabrics that combine classic modernism with a strong...
Upholstery fabric with irregular vertical stripes in saturated colors of blue-gray, black, gray, dark yellow, white, and bright pink. Please scroll down to read the blog post about this object.
Tactile Color
In celebration of Women’s History Month, March Object of the Day posts highlight women designers in the collection. In 2012, Knoll Textiles’ Creative Director Dorothy Cosonas approached Dutch graphic and book designer Irma Boom to develop a collection of textiles based on two of her books: Colour (Kleur) Based on Art, 2005 and Colour Based...
Millmosaic
Millmosaic was introduced in 1960, while Alexander Girard was head of the Textile Division at Herman Miller.[1] His work derived from a wide range of sources such as ancient and folk art, however the design for Millmosaic was most likely inspired by his interest in contemporary art, or more specifically, Op Art. The geometry of...
Chan Chan
The diversity of styles that characterizes Larsen’s range is the result of his insatiable intellectual curiosity about the world’s textile traditions. He wrote extensively about resist-dye techniques in The Dyer’s Art: Ikat, Batik, Plangi, including fold-dying, in which pleating or folding are combined with resists like clamping or binding to create complex geometric patterns with...
Cato’s Appeal
Knoll introduced Cato in 1961 and it has been in continuous production ever since, making it one of the most successful designs the company ever produced. It was designed and woven by Paul Maute, a German designer/weaver whose contributions to Knoll Textiles were both influential and lasting. In 1927, Maute established his weaving workshop in...
Infinite Color
Millions of Colors, a new upholstery fabric by Danish artist Grethe Sørensen for Wolf Gordon, arose from her tapestry series of the same name. Using a basic color palette of red, green, blue, cyan, magenta, yellow, black and white theads, Sørensen used a digitally controlled loom to translate the subtle modulations of color seen in...
Helen, Boris and Cromwell
This funky little chartreuse sample seems perfectly suited for an American mid-century interior. Woven by Helen Kroll Kramer between 1930-1958, it is composed of wool and rayon with contrasting bands of lime and pea green. Kramer is renowned as a successful 20th century artist and purveyor of handwoven textiles for upholstery and drapery. With her...
Talking Textiles
Suzanne Tick is one of the most important American textile designers of her generation. She has always chosen to explore new technologies and fibers in her work while continuing to manipulate existing weaving techniques in innovative ways to produce highly engineered interior textiles. Her creative work in industrial fabrics is balanced by her handwoven and...